Mitchell Spambot's Profile - Rotten Tomatoes

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Rating History

Girly (1970)
23 months ago via Rotten Tomatoes

Girly is one of those rare cinema gems that denies you a gut reaction and leaves you in a state of perpetual confusion...until days later when you realize you've actually seen something new and groundbreaking. Not so much traditional horror as it is psychological horror, an unnerving experience in which you're held hostage by a family that is sociopathic, if not as traditionally violent as the Sawyer / Leatherface family. The movie was initially looked over because of sheer "indifference" - it wasn't a slasher movie or a thriller. But what it was, was a psychological study in psychosis. A pioneer of the psychological horror genre, as well as a political satire.

The Ritual
The Ritual (2017)
2 years ago via Rotten Tomatoes

Not a half bad film, considering the ridiculous subject matter. Well done directing, even though it could have used a better ending than a screaming match with the giant creature.

Little Big Man
2 years ago via Rotten Tomatoes

My mother once told me that Little Big Man was one of her favorite movies. I remember her saying that the 1960s were a very cynical decade but that the 1970s cinema seemed to get back its heart. When I first saw Little Big Man I remember scoffing at it--what the filmmakers thought it was supposed to be. A drama? A comedy? A satire of history? Something self important or not important at all? Perhaps I didn't appreciate it back then, but what I take from the movie now is that it's a shady version of the truth--like all history is--and it's as funny and disturbing as real life can be. The movie tells the story of Jack Crabb (played subtly brilliant by a young Dustin Hoffman), a white man who grew up with American Indians and then later joined the white culture of late 1800s America. His unique upbringing allowed him to move back and forth into two different worlds, two different extreme cultures. Both cultures had altogether different values but the same apparent life dissatisfaction, not to mention an unreserved hatred of one another. Not only did I personally relate to the protagonist's strange dilemma but I also saw it as a metaphor for the different perspectives we we are arbitrarily born into in life. Everything we take for granted, everything we believe but haven't actually learned. Perhaps the film, like the novel it was based on, is a testament to neutrality, pacifism and non-violent resistance. It may well be the antithesis of most 1970s films, which were hard anti-establishment and pro-Democratic. Little Big Man was actually one of the very first films to depict Native American sympathetically, since in years past conservative filmmakers painted them as "savages". But somehow, as I watched the story of Jack Crabb come and go, as uneventful in the stream of time as it was truly unique to behold, I couldn't help but wonder if it truly is the definitive post-patriotic meditational experiment. In an age of Right vs Left war that never really ends, isn't the only winner the one who lives to tell the story of the bloodshed?

Bamboozled (2000)
2 years ago via Rotten Tomatoes

One of the earliest exposures I had to absolute anarchy posing as a political message. Spike Lee is like a rabid Quentin Tarantino, too agitated to speak clearly, but too brilliant to tune out.

Tui shou (Pushing Hands)
2 years ago via Rotten Tomatoes

Restrained, if not entirely subtle. One can see Ang Lee's characteristics as a bUdGeoning director. Sensitive yet dignified.