The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
[The] opening gave me hope that I was in for a fun final ride with this crew. But it was mostly downhill from there. There was a clear inability to capture the manic energy of the best episodes when Iannucci was in charge.
As in much of the best comedy, Veep operates by sly substitution. It promised a dick joke, a punchline about ineffectuality, a woman outside the party, uninvited. Instead, it gave the story of power's incapacity to see itself.
Every single member of this cast could headline their own series and deservedly so. Now is the time to go back and binge the entire first six seasons of Veep before it goes out with one of the best final years in TV history.
In real terms Veep should be showing its age. And yet in the execution it feels as sharp as it always did. Perhaps more so given the embarrassment of riches that Washington D.C. shovels in the show's direction every day.
Moves past the cynicism which defines the series into deeper reprehension. As in previous seasons, the dialogue is brilliantly vicious. But now there is a well-worn sheen of exhaustion over the enthusiasm of going after the biggest job in the world.
"Every nation gets the government it deserves." It's all your fault, Veep seems to suggest, with a disdain that'll continue to serve as a warning for future generations, just in case they feel the need to shake things up again.