The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
All in all, good to see you again Drs. Troy and McNamara. I expect scandal, police interviews with the victims of Matt's crimes and their subtle digs at his poor execution of craft, and each patient crazier than the next.
It's clear from watching these episodes that the show's better days are behind it. It's actually appropriate that Nip/Tuck should go out this way, considering it frequently explores the uphill struggle to maintain youth and vitality as time marches on.
I was pretty bowled over by the mature series of notes the show went out on. I think that's how it needed to be, given that it's been mercilessly and vacuously titillating viewers for far too long now.
I'm going to keep following Nip/Tuck's final season, and not just out of critic's duty: I'm genuinely curious to see if creator Ryan Murphy and his crew can... invest the show with a final burst of drama we can care about.
The show was cutting-edge in many ways: the operating-room gore, the tone (cool, chic nastiness) and a willingness -- often exasperating, often perversely impressive -- to go waaaay over the top. Nip didn't just jump the shark, it pole-vaulted it.
It was pretty much a guarantee that the final season of Nip/Tuck would be an ungainly mess, since that was the trajectory the show had been on since pretty much the beginning. But my oh my did it not disappoint in that respect.