The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
I inhaled the first series and thought I'd inhale the second, but - how can I put this? It's a bit slow. Its self-aware, self-congratulatory tone is grating, and the only thing left is a great soundtrack and Comer in some eye-catching outfits.
Killing Eve" deftly continues the cat-and-mouse game that made this BBC America series one of 2018's most pleasant surprises -- an espionage caper loaded with dry wit, dark comedy and two splendid central performances.
Beyond funny, the series continues to be clever, with plenty of intriguing tricks up its sleeve, the retention of some good characters and we shall see how the newbies develop (two episodes isn't enough for that when they barely get screen time).
Thankfully, Killing Eve retains the snap-crackle-pop dialogue of season one, with women, adamant and scabrous, delivering the zingers, and men, generally horny, highfalutin and unknowing, withstanding them.
"Killing Eve" remains very much grounded in its original identity. This is a show about two women lovingly entwined by their own complicated obsessions, fighting for what they want in a world that doesn't understand them.
The first two episodes of Killing Eve Season 2 are full of compelling twists and wrinkles, but it's the sly feminism at the heart of the show's cat-and-mouse game that makes it all so infectiously fun.