The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
"Last Forever" brought up the idea of true love versus soul mates, and a bit about fate, but if I wanted to watch a series about how your soulmate might not be the love of your life, I'd have watched Dawson's Creek, a series which did it much better.
All told, the finale, like the series itself, was fine, if not, alas, legendary. But hey, unlike some of the shows that have come and gone while Ted searched for his dream girl, it certainly beat a slap to the face.
For some, [the] surprise was a disappointment. But disappointment is expecting that a life has only one love story, that happily ever after only happens once, that surprises, good and bad, happen along the way.
Monday night's "The Lighthouse" was a real beacon of hope for fans... because for the first time since the pilot, we saw The Mother and Ted together. And what's more, this shared moment was a super special one.
I loved the way the two future friends met. Ted's wife definitely would be someone who would ask if a fellow passenger was okay after seeing her distraught. I also liked how she tried to lighten the mood by joking about the cookies.
Move over Zooey Deschanel, there's a new adorkable girl in town and her name is... well, we actually don't know her name just yet, but for the sake of avoiding confusion, we'll just call her the "Mother".
I'm hoping for some good character moments, some fun glimpses into the past and future, and a sense of the sweetness and humanity that the show had mostly lost in its later years. On that level, "The Locket" and "Coming Back" was an encouraging start.