The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
If anything, the second and final season of the show may be even better than the first, especially in the way Waller-Bridge chose to turn her moments of direct address to the camera into a meta commentary on the very nature of the main character...
Fleabag is an urgently hilarious series drawing pathos from the minute details of sisterly dynamics, fiercely feminist driven dialogue that's painful and self-reflectively honest, and sight gags such a cafe filled to the brim with guinea pig decor.
It's another to see it demonstrated artfully, holistically, and undeniably on-screen. By the end of the series, Waller-Bridge may as well be reaching through the camera to shake those of us who trust pain more than love back to life.
If the first season was about honestly coming to terms with the damage sex can do, season two is about accepting what comes after confession, about the hard work of loving, even knowing the damage that love has brought and will bring again.
In an entertainment landscape that rarely grants women characters the range to be challenging, Fleabag's commitment to exploring the sisters' anxieties about (and slow progress toward) one another is a breath of fresh air.