The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Catch-22, again, isn't perfect, because Heller's book is far too prickly and paradoxical for an easy interpretation. But it's almost always faithful to what Heller wanted to communicate and-in its finest scenes-transcendent.
The lack of effectively written and delivered humor in "Catch-22" downgrades it from a flawless flight to merely a very good one. The adaptation misses a few of Heller's main targets, but hits enough of the notes to make it a worthy undertaking.
[George] Clooney and company have tried their utmost to navigate the swervy Catch-22. And they fare better than the movie did without fully sticking the landing. Then again, who could? Bronze stars to all.
Abbott brings a disarming vulnerability to his performance as the pragmatically selfish Yossarian, while David Daniel Stewart is a lively standout as the fast-talking mess hall magnate Milo Minderbinder.
Catch-22 isn't quite wild enough to join TV's elite satires or sharp enough to leave a mark as lasting as its source material. But it has its moments, and those moments add up to an entrancing experience.