Critic Consensus: Pamela Adlon fully asserts her authorial voice over Better Things in a triumphant third season that examines the exhaustion of motherhood with exhilarating artistry.
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Unfolds in dreamy, fragmented interludes, which layer together to form a singular, candid illustration of Adlon's life -- a rich tapestry of s----y experiences that's somehow beautified by the way she pulls it all together.
In the end, there's no one takeaway; there are dozens, and they're delivered with the kind of beautiful storytelling that appears effortless, but actually requires acknowledgement on levels both granular and grand.
"Better Things" is funny, but organically, and at times unintentionally so.
There's no end to juicy insider gossip, backstabbing and perpetual over-striving.
As good, if not better, than it was when Louis C.K. was in the writer's room, season three actually feels even more relatable than previous seasons.
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