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Critic Reviews for Werewolf
Her characters are a little too blank to sustain interest through an entire film, but this modest indie generates a haunting mood of 21st-century despair.
The performers don't seem like they're acting at all, which contributes to the film's unsettling power.
Werewolf unmistakably announces McKenzie as a potentially significant new voice, gifted enough to make well-trod ground seem newly landscaped.
Its story may be thin, its characters not particularly original, but McKenzie's use of cinematic language is savvy and novel, finding complexity where others might find only emptiness.
Working with the cinematographer Scott Moore, McKenzie frames her characters with a radical obliqueness, visually conveying their wounded tenderness and stifled fury and evoking mortal struggles with minuscule gestures.
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