War and Peace (Voyna i Mir) (1968) - Rotten Tomatoes

War and Peace (Voyna i Mir)1968

War and Peace (Voyna i Mir) (1968)



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War and Peace (Voyna i Mir) Photos

Movie Info

Russian director Sergei Bondarchuk's epic version of Leo Tolstoy's War and Peace (Voyna i Mir) was the most expensive European film ever made for many years. It certainly had one of the longest gestation periods, with Bondarchuk spending seven years filming the project (the actors noticeably age from scene to scene). In relating Tolstoy's complex tale of Napoleon's invasion of Russia, Bondarchuk helmed some of the most graphic battle scenes ever seen, one of which runs nearly 45 minutes. So many horses were killed in these sequences that the film was loudly boycotted in some American cities by the ASPCA. While Bondarchuk is slavish to the source material, he does make a few Hollywood-like concessions to popular appeal; his leading lady Lyudmila Savelyeva looks exactly like Audrey Hepburn, the star of King Vidor's 1956 filmization of the Tolstoy novel. Originally clocking in at 507 minutes, War and Peace was pared down to 373 minutes for American consumption. It became a surprise theatrical hit, and a ratings bonanza when it was telecast on the ABC network in four parts from August 12 through 15, 1972. A big film, to be sure -- but few modern critics consider Bondarchuk's War and Peace a great film, citing its many deadly dull passages and its sappy, operatic finale.


Sergey Bondarchuk
as Pierre Bezukhov
Lyudmila Savelyeva
as Natasha Rostova
Vyacheslav Tikhonov
as Andrei Bolkonskiy
Kira Golovko
as Countess Rostova
Viktor Stanitsyn
as Ilya Andrevevich Rostov
Kira Ivanova-Golovko
as Countess Rostova
Oleg Tabakov
as Nikolay Rostov
Nikolay Kodin
as Petya Rostov
Seryozha Yermilov
as Petya Rostov as a Boy
Nikoly Kodin
as Petya Rostov
Sergey Ermilov
as Boy Petya Rostov
Anastasia Vertinskaya
as Princess Liza Bolkonskaya
Anatoly Ktorov
as Prince Nikolai Andreyevich Bolkonsky
Antonina Shuranova
as Princess Maria
Anastasiya Vertinskaya
as Princess Liza Bolkonskaya
Boris Smirnov
as Prince Vasily Kuragin
Irina Skobtseva
as Helene Kuragina
Vasiliy Lanovoy
as Anatole Kuragin
Yelena Tyapkina
as Maria Ahrosimova
Klavdia Polovikova
as Princess Anna Drubetskaya
Eduard Martsevich
as Boris Drubetskoy
Angelina Stepanova
as Anna Scherer
Alexander Borisov
as Uncle Mikhail
Boris Zakhava
as General Kutuzov
Vladislav Strzhelchik
as Napoleon Bonaparte
Giuli Chokhonelidze
as Prince Bagration
N. Tolkachyov
as Count Bezuhov
Petr Savin
as Timokhin
Galina Kravchenko
as Julie Kuragina
Victor Murganov
as Czar Aleksandr I
Vadim Safronov
as Emperor Franz
Nikolai Bubnov
as General Mack
Ivan Solovyov
as Shinshin
Yuri Chekulaev
as Nesvitskiy
Aleksey Smirnov
as Staff Officer
Nonna Mordyukova
as Anisya Fyodorovna
Andrei Smirnov
as Staff Officer
Yanis Grantinsh
as Woltzogen
Stanislav Chekan
as Tikhon Shcherbatyy
Boris Molchanov
as Marshal Louis Davout
Lev Polyakov
as Lauriston
Georgiy Shapovalov
as Russian Soldier
Nikolai Smorchkov
as Russian Soldier
I. Turchenkov
as Russian Soldier
A. Boldyrev
as Russian Soldier
N. Khryashchikov
as Russian Soldier
Aleksandr Degtyar
as Russian Soldier
Aleksandr Lebedev
as Russian Soldier
Vladimir Prikhodko
as Russian Soldier
Daniil Netrebin
as Russian Soldier
A. Bakhar
as Russian Soldier
Mikhail Vorobev
as Russian Soldier
S. Uspenskaya
as Narrator
Elena Elina
as Narrator
V. Maslatsov
as Narrator
P. Alekseev
as Narrator
Yelena Vanke
as Narrator
D. Begak
as Narrator
G. Ivanov
as Narrator
V. Ermilova
as Narrator
V. Lapin
as Narrator
A. Gruzinsky
as Narrator
T. Makhova
as Narrator
Y. Kryuchkov
as Narrator
G. Shostko
as Narrator
N. Afrikyants
as Narrator
Robert Chumak
as Narrator
Norman Rose
as English Language Version Narrator
View All

News & Interviews for War and Peace (Voyna i Mir)

Critic Reviews for War and Peace (Voyna i Mir)

All Critics (16) | Top Critics (8)

Frequently gorgeous, occasionally dull, always fascinating.

January 18, 2008

Exhaustive, spectacular, often dazzling in its ambition and faithfulness to Tolstoy, the movie is still regarded as one of the wonders of epic cinema.

December 7, 2007 | Rating: 3.5/4

This is the barbaric yawp of the Soviet film industry circa 1968, an entertainment A-bomb test announcing to the world: 'Here is what we are capable of.'

October 16, 2007

Considering its cost and the vast effort that went into its making, such a film can be made only once in our time. The wonder, indeed, is that it was made at all.

June 1, 2007 | Rating: 4/4 | Full Review…

Though it can be bombastic and mind-numbing, it's often lively and eye filling.

June 1, 2007 | Full Review…

If you haven't seen it, you have an incredible treat in store.

May 31, 2007 | Rating: 4/4

Audience Reviews for War and Peace (Voyna i Mir)

It does suffer from a two hour section where the pace slows to a crawl, but the remaining five hours are filled with the most incredible battle scenes ever seen on film, and the astounding 1812 Fire Of Moscow.

Marcus Woolcott
Marcus Woolcott

Super Reviewer

It is a very long picture. A very long masterpiece at it's finest. Is it me or have I been leaning towards Russian pictures lately?

Brian R
Brian R

Super Reviewer


Tolstoy philosophy, epic panoramas of the landscape, and upper class human drama from early 1800's Russia combine in this nearly 7 hour four part film. Film 1 Andrei Bolkonsky This part is itself split into two parts as well, but both focus on Prince Andrei Bolkonsky. He has lived a privileged existence with his sister under his father's harsh and disciplined hand. Prince Bolkonsky finds out that his wife is pregnant just as he is preparing to leave for war. His father does care and wishes that Andrei would stay safe at home, but Andrei wishes to make a name for himself through his own work leading men into battle. Pierre Bezukhov is also introduced as played by the director of the picture, Sergei Bondarchuk. Pierre is friends with Prince Andrei and they often go for walks talking about the meaning of life and the purpose of war. Pierre serves as our narrator for much of Tolstoy's philosophical observations, but we also hear the interior monologue of several characters as they ponder things and make decisions. Pierre openly describes himself as the illegitimate son of a wealthy Count or some such nobility. He doesn't see the point of going off to fight Napoleon. He feels he doesn't quite fit in to the rest of the upper crust society. Bondarchuk plays him appropriately as an awkward melancholy fellow who is the main connecting thread through the length of the film. Pierre is related to the Rostova family, the other main players in the story. We briefly meet Natasha Rostova in this part as an energetic, playful young girl. We jump back and forth from the festivities and grandly decorated homes of the well-to-do to the dirt and smoke and death of the battlefields. Andrei and Pierre both lose their wives, but in different ways. They end up by expressing philosophies about the purpose of life that are at odds with each other until Prince Andrei sees what the oak tree has to teach us. This movie has amazing period detail. This is a great piece of Russian literature adapted into an epic movie by Russian filmmakers, and so a lot of effort has been put into all the performances to bring this time in history to life. This movie has absolutely awe inspiring panning and tracking shots. The scenes that take place in locations of a grand scale are shot with seemingly never ending fluid camera movement! Film 2 Natasha Rostova As you would guess, this part is focused on Natasha. She has grown up a little bit, but is still quite giggly and childish. She is a debutante at her first ball where she worries that no one will ask her to dance. Finally Pierre suggests that Prince Andrei dances with her. They share a magical dance and fall madly in love. But it takes months for Andrei to come to call at the Rostova house. When Natasha is at her wits end and the Prince finally shows up, he is concerned because she is so much younger than he is and has hardly experienced life, so he determines to wait a YEAR before marrying her. This only drives the girl more crazy. When Natasha is confiding to her mother she acts so young. I would call it something more annoying than charming, which is how she describes herself. I can kind of see why Andrei's romantic passion has cooled a bit and his reasons for wanting to wait. When Natasha goes to see a ballet, the picture gets a little surreal and I had trouble following exactly what was going on. Well, eventually Natasha shows how easily love can change by falling for another dashing young man in a uniform. This part ends with a little poetry about a comet as the war of 1812 starts to get under way. Again we are treated to sweeping camera work and plenty of artistic flourishes. Film 3 1812 Prince Bolkonsky's father begins to go demented because Napoleon and the French keep advancing through Russia. The senior Bolkonsky feels his soul and the mother country Russian die as one. Pierre and Natasha share a moment where it is obvious something more could develop between them if circumstances were different. But then it is off to war with Kutuzov taking a larger role in the story. Prince Bolkonsky has taken a more active role leading a battalion of soldiers instead of being an aid to the general. Pierre finally becomes curious about war and shows up on the battlefield in a gentleman's dress white suit. The horrors of war are stunningly captured in yet more epic panoramas of fire, smoke, horses, and men. Pierre and Prince Andrei do have one final conversation before the big battle, in which I found Andrei's dialogue to be movingly poetic. "War is not a polite recreation, but the vilest thing in life. And we ought to understand that and not play at war. We ought to accept it solemnly as a fearful necessity. Enough lying: if it's war, then it's war and not a game. They meet together to murder one another, as we shall do tomorrow; they slaughter and mutilate tens of thousands of men, and then offer up thanksgiving services for the number of men they have killed, and even add to it in the telling, and glorify the victory, supposing that the more men killed the greater the achievement. One who succeeds in killing the most people, gets the greatest rewards. How God can look down from above and hear them?" Though the Russians had great losses, Tolstoy writes that they won metaphorically. Our narrator believes that through the men's love of their country and their fighting at Borodino, which led to the turn around in Napoleon's success, that they were victorious. This is the shortest part with the least amount of one on one relationship drama. Film 4 Pierre Bezukhov So, God and Country! Though Tolstoy's words try to suggest that this story is about all of humanity, about life, in the previous parts, I didn't really see it as anything other than a polemic against Napoleon and a defense of faith and nationalism. That is until this conclusion constructed by the filmmakers. Kutuzov struggles with thoughts of failure. Prince Andrei faces death and he and Natasha rediscover their love for each other. The French invade Moscow and plunder everything. As the ash is whipped around by the wind and flames when Moscow burns down, you can feel your eyes watering as you see it all through Pierre. Pierre finally fights for something and nearly faces death, but comes to appreciate life in more than an intellectual way. Winter brings the end of the war because the French aren't accustomed to the extreme weather and the Russian soldiers are compassionate to the French survivors. A sense of brotherhood between soldiers from the opposing countries is shown. There are a few more beautifully surreal dream-like sequences. Triumphant symbolism of waters, clouds, fields of grass, forests of rustling trees, and general nature are used to portray a celebration of life! Tolstoy's words conclude with, "My idea, in its entirety, is that if vile people unite and constitute a force, then decent people are obliged to do likewise; just that." The three leads are excellent. The supporting characters and bit parts are all believable. The music is grand. Sure it is long. It takes quite a commitment of time and energy to get through all the melodrama and deliberate pacing, but it is a rewarding story. My favorite special features on the 5 DVD set are the interview with cinematographer Anatoly Petritsky and the Making the Film documentary. There are many many special features from set design illustrations to text giving some important historical context. Well worth it, if you have the time and patience.

Byron Brubaker
Byron Brubaker

Super Reviewer

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