The Wackness (2008)
Critic Consensus: Sympathetic characters and a clever script help The Wackness overcome a familiar plot to make for a charming coming-of-age comedy.
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as Dr. Squires
as Mrs. Squires
as Mrs. Shapiro
as Mr. Shapiro
as Grandpa Shapiro
as Grandma Shapiro
as Bodyguard #1
as Homeless Man
as Kid in Bar
as Police Officer #1
as Principal Edward
as Desk Officer in Prison
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Critic Reviews for The Wackness
It muddles through on its period infatuation and on Kingsley's dope-loving turn as a doctor constantly on the verge of another hit.
The Wackness, while no masterpiece, is the kind of film that doesn't come to much but is watchable as it saunters along with a provoking sense of meaningful pessimism. The performances are really the thing - Levine hasn't managed anything better.
The film's forlorn charm is a little reminiscent of Cameron Crowe's adolescent memoir Almost Famous. It's a tiny bit soppy, too, but you can forgive that in a teenager.
Levine's film is often showy, clumsy, over-earnest. But then so are its characters. So is late adolescence. The Wackness carries out the advice Squires gives to Luke - make a mess, embrace pain. In doing so, it ends up anything but wack.
Its writer-director, Jonathan Levine, lavishes the movie with inky black shadows and soft gauzy close-ups, making it mostly feel like a dream, or a half-conjured memory.
Audience Reviews for The Wackness
The year is 1994, the place is New York City, and Luke Shapiro, having just graduated high school, tries to spend the summer figuring out what to do with his life, as well as how to deal with all of his various issues. Along the way, he makes his living dealing pot, which also includes trading some of his pot in exchange of clinical help from his psychiatrist Dr. Squires, who also happens to be his only real friend. Things get complicated when Luke starts up a relationship with his doctor's stepdaughter. This is both a coming of age drama (with occasional bits of comedy) and a love letter to the nostalgic days of the 90s. In fact, the film is not very subtle when it coems to reminding the audience that the film is set in 1994. This might be annoying to some, but I rather liked it, but I have a huge love for the 90s, so there. Musically, since this is an urban film, and because the main character is into hip hop, that's what the bulk of the soundtrack is, although there's some nice chestnuts from the 60s and 70s thrown in as well, so that's great. The characters aren't really the most admirable or worthy of being role models, and they aren't always totally likeable or sympathetic, but they are interesting, so that makes watchign a movie about them worthwhile. I couldn't completely relate to this film or the characters in every way, but I found enough similarities to make them somewhat more sympathetic. I liked the lead, but this is one of those movies that is owned by the suporting characters. This film's got an intersting cast, and they all do a pretty decent job (at the very least), especially Ben Kingsley- who really goes off the rails and is rather unrecognizable here as the therapist who is also a drugged out relic yearning for the good old days. Josh Peck is not bad as Luke, but I wasn't blown away by him. Olivia Thirlby, who I liked in Juno, is even better here, giving a sassy and hip performance as the stepdaughter/love interest. In smaller but memorable roles are Method Man as Luke's supplier and Mary-Kate Olsen as one of Luke's customers, a party girl who has a really memorable WTF scene with Sir Ben. Going back to the music for a sec, I think it's interesting to note that this is the second film that Olivia Thirlby has appeared in which features "All the Young Dudes" by Mott The Hoople. Odd. This is a good movie, but not great. It's adequate, but I give it slighly higher marks (admittedly) because I'm a fan of the time period, I like seeing dignified actors play way against type, but do so in dignified ways that don't seem forced. If a movie about angsty bored drug users in the 90s sounds like your type of thing, then give this a watch.
With a great script, interesting characters and excellent performances all round, ''The Wackness'' is a very sweet, uplifting coming-of-age dramedy.
Its 1994, mutha fuckas. thats an accurate summary of this film. hey, people. this movie is set in 1994. did you forget already? and Olsen Twin #2 proves that she is an embarrassment to every mammal, reptile, amphibian, plant, and mineral on this Earth. and since she is identical to Olsen Twin #1 in every way, i guess the same goes for her too.
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