The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
First and foremost, this is a well-directed horror movie that has just the right mix of atmosphere and old-fashioned scares to delight the mainstream audiences. When you look deeper, though, there are treats for cinephiles to unpack.
Under the Shadow comes from a dark place. Firmly in the shade of the Cultural Revolution and deep into the Iran-Iraq War, the spectre of war and threat of tragedy looms large over what is, in essence, a stressful domestic drama.
Under the Shadow shows that horror is still alive and well in cinema and not only do I hope that Iran does more genre films, I really hope it brings Iranian cinema out of the shadows and into the mainstream.
Under the Shadow demands that we feel history as much as intellectually acknowledge it. Its important lessons cannot be taught through dates and names, but through something far more visceral, intoxicating and memorable.
This is a must see and shows Iranian filmmaking just keeps producing excellent, thought provoking films. A proper psychological supernatural thriller with a good narrative and under 1hr 30 mins in length.
It is clear that the oppression of the Cultural Revolution is stifling, especially towards women, but when the materialized djinn resembles a flying, haunted hijab, that message is now shouted at the audience loudly.