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as Don Lope
as Don Cosme
as Dr. Miquis
as Senora Burguesa
as Civil Officer
as Don Joaquín
as Don Candido
as Don Ambrosio
Critic Reviews for Tristana
The film is so full of riches, so perfectly constructed to gain the maximum effect with the minimum of fuss, that it can be enjoyed on many levels.
What more is there to say about Bunuel? Except that Tristana... is a quite masterly summation of his art.
The rigid rituals of duty and honor form an inextricable bond of pleasure and degradation, of sex and death-and render sin all the more exciting.
You can almost sense the director's pleasure in taking apart the duplicities of a patriarchal Spanish society, the long-standing sexual double standard for men and one young woman's revolt against convention.
As much as this tale of bent love runs in the ruts of its maker's obsessions, it has an undertow that's impossible to shake.
Audience Reviews for Tristana
The dubbing of Deneuve's voice into Spanish seems to diminish the impact of her performance, but sill this a fascinating story of power, hypocrisy, resentment and bitterness as seen through the eyes of two complex characters in a society dominated by religious and patriarchal values.
An old man (Fernando Rey) becomes obsessed with an beautiful orphan girl (Catherine Denueve) whom he adopts; she leaves him but returns when she loses her leg. All of Luis Bunuel's usual intelligence and obsessiveness is on display here, but there's little passion or magic in this melodrama that's only slightly twisted. TRISTANA serves as a breather between the masterpieces BELLE DE JOUR and DISCREET CHARM OF THE BOURGEOISIE.
Pretty interesting but nothing special.
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