The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Christian Petzold's white-hot existentialist noir Transit is perhaps the best World War II film since Paul Verhoeven's Black Book, even if it hinges on a suspension of disbelief that'll be too far a stretch for some.
Lifting the story out of context in this way works in Petzold's favor, as Transit exists as neither a museum piece nor a harrowing depiction of the current refugee crisis, but rather a literary tale of displacement, identity, and seeking.
Inhabiting a realm between the past and present, Europe and America, and also cinema and literature, [Petzold's characters] are, in Hannah Arendt's phrase, "living ghosts among the ruins of our times."
Playing out as if Michael Curtiz's Casablanca and Michelangelo Antonioni's The Passenger had been re-imagined by Franz Kafka, this adaptation of Anna Seghers's 1942 novel strikingly relocates the action to a millennial Marseilles.
[The narrator] names the feeling they all share at that moment: shame. And we feel it, too. Shame that we still live in a world where a piece of paper can be the difference between life and liberty -- or death.