The Transfiguration (2017)
Critic Consensus: The Transfiguration tells a quieter, more deliberately paced tale than genre fans might expect, but for those with the patience to let it sink in, it offers its own rewards.
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as Cop One
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Critic Reviews for The Transfiguration
In the end, all has been for nothing, and the vampire genre's exciting possibilities have been wasted on a messy script and messier intentions.
Trying hard to play against expectations, writer-director Michael O'Shea casts a black teenager in the lead role of an urban vampire film. It's a decision that ultimately works in the film's favor, but only up to a point.
This film, directed by Michael O'Shea, is less a horror movie than a coming-of-age tale as Milo meets an equally troubled neighbour, Sophie, played by Chloe Levine.
Bold and brutal in shocking spurts, the indie horror drama from writer-director O'Shea is a startling debut that leaves a fresh mark on the genre while celebrating its forbears.
This is not a horror film, exactly, but a dark drama in which a self-imposed curse is the only reprieve from a neighborhood where violence is routine.
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