The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
If you're tempted to see this well-acted but dour drama, you might best be advised to read up on Crowhurst first: you still may not like it, but at least you'll better be able to appreciate the kind of movie that director James Marsh has made.
Marsh is content with telling Crowhurst's story in the most mundane way possible, but because it's such a good story with an inherently involving character at the center of it, the approach still works on the most basic of levels.
This is really a one-man show for Firth, as we spend long stretches with him on the boat, watching his stiff-upper-lip British fašade splinter and crumble in the face of harsh weather, mounting mechanical problems and punishing loneliness.
A poignant and at times jaw-dropping movie. Firth is tremendous as Crowhurst -- it's an unflinching portrayal that's sympathetic but utterly realistic. Weisz is good though her character has little to do beyond keeping the home fires burning.
This is a tale that could have been told very effectively as a one-hander. Instead, Marsh balances his time between the boat and dear old Blighty, where the sponsors are getting excited and a press agent is trying to drum up stories at every opportunity.
Here's a man-vs.-nature sailing story with a significant difference. Rather than a rousing testament to the human spirit, James Marsh's The Mercy examines a failure to triumph, the kind of tragedy that rarely gets blown up into a movie.