The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The performances are first-rate -- Fiennes and Jones are stellar, as are Kristin Scott Thomas as Nelly's mother and Tom Hollander as playwright Collins -- and the score and period details are sumptuous. But the film still drags.
The Invisible Woman is a fine-looking period piece and Fiennes has an eye for nuance as Dickens tries handling the public news of his private life in a world that has just discovered the thrill of newspaper gossip.
The pleasure and the drama come in watching for the real emotions peeking beneath the fancy costumes and flowery dialogue (by screenwriter Abi Morgan), all the more fierce because they must be repressed.
Solid, beautifully shot and acted, leisurely paced costume drama that can't hide ... that its central love affair is illicit. What I found fascinating was its depiction of just how an affair was run in such a situation - in those days, among such people.
The Invisible Woman , overall, is a film of intelligence and subtlety, and Jones's performance as Nelly reflects exactly those qualities - she brings Nelly, with all her complexities, doubts and conflicted loyalties, vividly to life.
Exquisitely directed by Fiennes, who also delivers convincingly in his portrayal of Dickens, there is a poetic quality about the film with its dreamy cinematography, ethereal music and wonderful sense of time and place