The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The dialogue never leaves the surface and the running across Los Angeles that happens in the last sequence is supposed to thrill you, but it's such a cliché that your embarrassment extends to the crew member who has to follow with the camera.
Whether Wahlberg's been miscast or misdirected, we never buy him as a desperate addict. Still, the movie is so quick and cool that for much of the time, we barely notice how little is actually at stake.
Blackjack is more of a noose than a needle for this self-destructive blowhard, and if that sounds less dramatic than the tale of a man who just can't walk away from the table, it is significantly funnier.
There's enough swaggering cynicism for three pictures but barely enough soul to sustain even one in Rupert Wyatt's "The Gambler," a stylish, energetic but disappointingly glib remake of Karel Reisz's still-potent 1974 drama of the same title.
It's no mystery why actors and directors want to relive the magic of American studio movies from the fabled 1970s, but if you're not going to take the risks that the originals did, or illuminate as much about the characters, why redo them at all?