Critic Consensus: Todd Solondz's Storytelling boasts an audacious narrative structure, but fails to deliver on the mechanics of its namesake, yielding a creative exercise that is more interested in satisfying the author's interests than the audience's investment.
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as Marty Livingston
as Fern Livingston
as Toby Oxman
as Mr. DeMarco
as Mr. Kirk
as Elizabeth St. Clair
as Toby's Editor
as Football Coach
as Onlooker No. 1
as Onlooker No. 2
Critic Reviews for Storytelling
Despite [Solondz's] undeniable talent, however manipulative, his stories are too sour and mean-spirited for my taste.
That Storytelling has value cannot be denied. Not even Solondz's thirst for controversy, sketchy characters and immature provocations can fully succeed at cheapening it.
In his latest effort, Storytelling, Solondz has finally made a movie that isn't just offensive -- it also happens to be good.
Solondz is without doubt an artist of uncompromising vision, but that vision is beginning to feel, if not morally bankrupt, at least terribly monotonous.
A frustrating experience, made more so by the seemingly self-referential moments in the film.
Audience Reviews for Storytelling
There's two stories here: the first is about a writing class, particularly the teacher and two students, all concerned with "creating fiction". The second part concerns a documentary filmmaker interested in showing the real stress applying for college engenders amongst high schoolers. But it's what's beneath the surface and how it's revealed that makes this a sparkler for me, a film that's aware that it's not for mainstream thinking, it's Armageddon without the SFX or CGI.
This is a two-part film, one story about the racial tensions that result when a creative writing student has a tryst with her professor and the other about a documentarian trying to film an unstable teenager. In every sense this is a Todd Solondz film: the long shots and silences, the out-of-place characters, and the cringe comedy. But of all the Solondz films I've seen, I think this is my favorite. The characters are more finely drawn, and even though the themes are opaque, like most of his work, there seems to be more cohesiveness to this effort. I also really enjoyed the performances in the first segment, especially by Selma Blair and Leo Fitzpatrick. The film's main flaw is the opacity of the themes. Why do these two stories belong together? Is Solondz trying to say something about how thin the line is between fact and fiction? I'm not sure. Overall, I liked this film even though there are significant aspects that remain unclear.
The thing about Todd Solondz's "Storytelling" is that you can't simply just watch it as another, random film, because it's not just 'another random film.' You will have needed to have seen Solondz's previous work ("Welcome to the Dollhouse," "Happiness") and grasp the controversy and criticism surrounding him, for "Storytelling" is a meditation on Solondz's sensibilities. Solondz turns his script and lens back on the audience as well as himself. He is questioning both his admirers and his detractors. He is also questioning himself- why he is drawn to this material, why explore such darkness? "Storytelling" is a sort of subtlety brilliant piece of metafiction but it's not all entirely satisfying. These stories are just a tad bit trite, yet they still come with a considerable amount of good- namely the casting (Blair, Goodman, Giamatti, Webber) and Solondz's sharp dialogue and observations. I can't recommend this film to anyone other than fans of Todd Solondz's fascinating and unforgivably complex body of work.
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