The Sleepy Time Gal (2001) - Rotten Tomatoes

The Sleepy Time Gal (2001)



Critic Consensus: A thoughtfully assembled drama brought to life by sensitive performances, Sleepy Time Gal offers an intriguing glimpse of a woman at a crossroads.

The Sleepy Time Gal Photos

Movie Info

Two women connected by family are drawn closer by fate in this low-key drama. Frances (Jacqueline Bisset) is a woman in her early fifties who had already begun to sense time was running out for her when she learned that she has cancer. While Frances is fighting the disease through medical treatment, she decides it's a good idea to do some travelling before it's too late, and she pays a visit to Bob (Seymour Cassel), a former boyfriend who now owns a farm in rural Pennsylvania. To Bob's surprise, Frances strikes up a fast friendship with his wife Betty (Peggy Gormley), and Frances shares a confession with her -- while Frances maintains a close relationship with her son Morgan (Nick Stahl), she also had a daughter by Bob that she put up for adoption, and she's not certain if she should track down the child while there's still time. Coincidentally, Frances' daughter is Rebecca (Martha Plimpton), a successful lawyer who has begun to express a curiosity about her birth parents. Rebecca has been hired by a large communications firm to deal with the paperwork regarding the purchase of a radio station in Florida, and while in the Sunshine State, Rebecca gets to know the station's manager, Jimmy (Frankie R. Faison). As Jimmy and Rebecca ease into a short-term romance, he shares stories about the "Sleepy Time Gal," a mysterious female disc jockey who worked at the station back in the '50s; what neither Jimmy nor Rebecca know is that the Sleepy Time Gal was actually Frances.


Nick Stahl
as Morgan
Frankie Faison
as Jimmy Dugree
Molly Price
as Rebecca's Colleague
Clara Bellar
as Mushroom Girl
Justin Theroux
as Rebecca's Boyfriend
Mark Tymchyshyn
as Larry Mosher
Phyllis Somerville
as Rebecca's Adoptive Mother
Bob Hogan
as Rebacca's Adoptive Father
Lola Pashalinski
as Adoption Agency Director
Robin Weigert
as Hospital Records Keeper
John Arkoosh
as Naked Boy
Rain Phoenix
as WROD Receptionist
Jessica Brooks Grant
as Frances, Aged 10 and 14
Louise Fernandez
as Frances, Aged 3
E. Hernandez
as Frances's Father
Kimberly Scott
as Emergency Room Nurse
Sarah Lassez
as Frances, Aged 25
Aaron Amara Davis
as Jimmy. Aged 25
Pepe Atramontes
as `La Llorona' Guitarist
View All

Critic Reviews for The Sleepy Time Gal

All Critics (22) | Top Critics (8)

Superb performances from everyone, including Amy Madigan as a sort of one-woman hospice.

February 1, 2018 | Full Review…

Munch's screenplay is tenderly observant of his characters. He watches them as they float within the seas of their personalities. His scenes are short and often unexpected.

November 22, 2002 | Rating: 3.5/4 | Full Review…

Playing a role of almost Bergmanesque intensity ... Bisset is both convincing and radiant.

November 21, 2002 | Rating: 3/4

A thoughtful, moving piece that faces difficult issues with honesty and beauty.

September 27, 2002 | Rating: 3/4 | Full Review…

Its rhythms and currents sink into a viewer's consciousness and linger in the mind.

June 14, 2002 | Rating: 3/4 | Full Review…

It's delicate, haunting and sultry.

May 29, 2002 | Rating: 3.5/4
Top Critic

Audience Reviews for The Sleepy Time Gal

Sleepy Time Gal is one of those brilliant films that could only be part of American indie cinema. Frances, a mother, former writer and DJ, and lover of architecture and history, discovers she has terminal cancer, and so aims to tie up the loose ends of her life and spend time with her son. Meanwhile, in a different city, Rebecca, unhappy with her job as a lawyer and split from her boyfriend, decides to seek out some questions to her own life, including finding her birth mother, and start afresh. The two characters stories link together in various ways as, separately, each remembers and learns more about their lives. Firstly, I should get some criticism out the way. This is a very lyrical film, striving for and often achieving a kind of cinematic poetry. Unfortunately, this yearning extends to the dialogue, and some of the characters have the most ridiculously over-articulate conversations, even if they're just talking about everyday things. At one point Rebecca says to someone she's recently met "I admire your pragmatism". Ok, maybe some people do speak like this, but in the context of the film it feels a little daft. The other problem is the first 20 minutes or so. Very little information is offered as to what the hell is going on, and I found myself a little 'sleepy' myself. However, this does actually (eventually) play to the films strengths, as we discover more things about the characters and previous scenes make more sense. Don't get me wrong though, this isn't a film full of major surprises or twists; it's more a film about honesty and emotion. So now the plusses. First of all, the acting is great - Jacqueline Bisset deservedly got lots of praise and is equalled (thankfully, otherwise the film could have fallen apart) in ability and scope by Martha Plimpton's performance. Nick Stahl is also nicely understated. The way memories are shown is very inventive, by use of black-and-white film sped up and blurred images, still photographs and paintings and camcorder footage. Finally, the photography is, at times, stunning, with beautiful location shooting in New York, Pennsylvania and Florida. It's a bit of a depressing film in parts, but it's also refreshingly unsentimental, instead quietly poignant, and has an ending that mixes sadness and optimism in a way I wasn't expecting.

Daniel Parsons
Daniel Parsons

Super Reviewer

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