Raiders of the Lost Ark (1981)
Critic Consensus: Featuring bravura set pieces, sly humor, and white-knuckle action, Raiders of the Lost Ark is one of the most consummately entertaining adventure pictures of all time.
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as Indiana Jones
as Marion Ravenwood
as Marcus Brody
as Col. Musgrove
as Maj. Eaton
as Australian Climber
as 2nd Nazi
as Ratty Nepalese
as Mean Mongolian
as Giant Sherpa/1st Mechanic
as German Agent
as Young Soldier
as Messenger Pirate
as Tall Captain
as Peruvian Porter
as Driver of German Truck
as German Soldier
as Driver of German Truck
as German Soldier
as German Lieutenant
as Gobler's Gunner
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Critic Reviews for Raiders of the Lost Ark
Entertainment that propels the audience inexorably from one excitement to the next.
It's all done with such a great spirit of high adventure and good humor that you don't even begin to count the corpses... The finale suggests that Ford's Indiana Jones character will soon be back with further adventures, and I'm all in favor of it.
Raiders is an assured, relaxed, impressive work. It's almost impossible to resist. It's no more substantial than cotton candy -- but it's easily the best piece of entertainment Hollywood has produced in 1981.
This bullwhip-cracking action-adventure launched the series starring Harrison Ford.
Raiders of the Lost Ark has more size than substance but nevertheless it's a delightful special big surprise package of a movie that should turn Indiana Jones into a national figure.
Audience Reviews for Raiders of the Lost Ark
It is almost impossible not to be thrilled by this hugely entertaining modern classic that boasts a delicious sense of humor, a charismatic protagonist (Harrison Ford is awesome as always) and a lot of fast-paced action, with each scene more exciting than the one before.
In 1975, George Lucas and Philip Kaufman came up with the concept of a film that would pay homage to the action serials of the 1930's and 40's like "The Adventures of Captain Marvel" or "Dick Tracy" - you know, the one's were they'd always end in a cliffhanger? However, this idea was put on hold so that Lucas could concentrate on "Star Wars" in 1977. After the surprise success of that film, Lucas then embarked on the proposal and enlisted the help of Lawrence Kasdan on the screenplay and gave his friend Steven Spielberg the chance to direct and prove the studio bosses wrong after the star-studded, monumental failure of his World War II comedy "1941", a couple of years previously. This meeting of minds resulted in "Raiders of the Lost Ark" and has since became one of cinema's most revered and iconic film's. Dr. Indiana Jones (Harrison Ford) is a renowned archeologist who is hired by the U.S. Government to find the Ark of the Covenant - a chest the Hebrews carried around containing the Ten Commandments. Indy is not the only one after the Ark, though, as he soon crosses paths with Hitler's Nazi's, also intent in getting their hands on the artefact. Classic Adventure film of the very highest caliber. In fact, it's hard to argue that this isn't the one to beat in terms of sheer indulgence and escapist entertainment. I grew up with Indiana Jones and there are very few characters or films who have had such a direct or major influence on my love for the cinematic art-form. It's difficult to find the words for Raiders that haven't already been said. Quite simply, it's a true action spectacle that's unparalleled and stands as one of Steven Spielberg's finest moments. He's a director that's, rightly, regarded as one of Hollywood finest filmmakers and you don't have to look much further than this film to see why. With one hair raising set-piece after another, Spielberg keeps the action relentless and fully realises a romanticised pastiche of the aforementioned serials' clichÃ©d plot elements and devices. Of course, what aides immeasurably in bringing it all together, is a perfectly committed and physical performance from the leading man. Contrary to popular belief, Harrison Ford was the first choice for Indy. Well... it was in Spielberg's eyes, anyway. It was Lucas who wanted to cast someone else as he wanted to create a little distance from Ford having already worked with him on "American Graffiti" and "Star Wars" and as common knowledge would have it, Lucas preferred Tom Selleck. Unfortunately for him, though, he was already committed to the television series "Magnum P.I." which resulted in Ford securing, what would become, his signature role. I think it's fair to say that Ford has never exactly been praised for his acting range. Sure, he's certainly able to deliver some wonderful work; his powerful turn in "The Mosquito Coast" and his Oscar nominated performance in "Witness" are proof of this but his portrayal of Indiana Jones is absolutely spot on. He captures the requisite charm, wit and smarts to win you over. He exaggerates his facial expressions to the point of parody and completely sweeps the audience up in his heroic adventures. Even though he's the hero of the story, Ford never let's you think for a second that he's infallible or indestructible. Every scrape, punch or altercation still feels like it could be Indy's last and that's a fabulous achievement when you pretty much get the gist of the film's formula or structure. Considered one of the best films ever made and, to this day, remains one of the highest grossing. It went on to win four Academy Awards out of nine nominations and these accolades alone speak for themselves. I, for one, couldn't argue with any of them. Mark Walker
Swashbucklers were deeply unfashionable at the time when Raiders was made, and it took the talents of the then new golden boy of Hollywood to breathe new life into the genre. With a bespectacled alter ego who is a million miles away from his action man persona like an archaeological Clark Kent, Indiana Jones became an iconic action figure who was often knocked on his backside, played fair only when it suited him and was far more interested than his treasure than getting the girl. Sound familiar? Yes without Raiders, Captain Jack would probably never have existed. Like POTC, this film takes its cues from the golden age of the Hollywood swashbuckler, to the point where Ronald Lacey's sinister yet effeminate secret policeman and Paul Freeman's amoral gentleman rogue could easily have been mistaken for Peter Lorre and Sidney Greenstreet respectively. The action is as superbly handled by Spielberg as always, the truck chase scene being one of the all time great stunt sequences and the wholly unexpected finale that blends religious mythology with gothic horror is fantastic. A perfectly judged combination of slam bang set pieces and humour that makes for flawless family entertainment.
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