Pather Panchali (1955)
Critic Consensus: A film that requires and rewards patience in equal measure, Pather Panchali finds director Satyajit Ray delivering a classic with his debut.
Pather Panchali Photos
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as Durga as a child
as Harihar Ray, Harihar the Father
as Harihar the Father
as Apu/Sarbajaya the Mother
as Durga (joven, Durga as a Cchild, Durga as a child
as Durga as a Young girl
as Sarbojaya Ray
as Indir Thakrun, Indirtharkun the old aunt
as Durga as a young girl
as Mrs. Mookerjee
as Ranu Mookerjee
as Mrs. Mookerji
as Nilmoni's wife
as Prasanna, school teacher
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Critic Reviews for Pather Panchali
[Pather Panchali's] story is told in stark but sensitive manner, with nary a studio prop nor story contrivance to mar its tragic truth. In fact, there is little story to this first directorial effort of young Satyajit Ray, other than that of life itself.
Extremely touching in its simplicity, emotional range and visual beauty, it's no wonder it became the first Indian film to achieve widespread international acclaim and establish Ray as a master filmmaker.
Beautiful, sometimes funny, and full of love, it brought a new vision of India to the screen.
It is a pastoral poem dappled with the play of brilliant images and strong, dark feelings, a luminous revelation of Indian life in language that all the world can understand.
Fresh as a daisy after all these years, Satyajit Ray's 1955 spellbinder comes underpinned by a tumultuous Ravi Shankar sitar and paints a ground's-eye portrait of life in an impoverished Bengali village.
Audience Reviews for Pather Panchali
Nothing spectacular at all. Entirely overrated. I like old movies (and foreign films) but hardly anything happens in this one!
An impressive achievement considering that this was Ray's first film, and he displays an enormous confidence in the direction of this hypnotizing and realistic look into the life of a Bengali family struggling with poverty as witnessed by the eyes of an eight year-old boy.
it's hard to believe satyajit ray and his cinematographer had never worked on a film before this. they had observed renoir filming the river and with his encouragement and the inspiration of italian neorealism made this poetic masterpiece about life in a small bengal village circa 1920, a really timeless film. i love films about india and i'm looking forward to the rest of this series. there's huge natural talent at work here
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