Motherless Brooklyn (2019)
Critic Consensus: Motherless Brooklyn's imposing length requires patience, but strong performances and a unique perspective make this a mystery worth investigating.
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The rest is a sluggish film noir pastiche (the setting of the novel has been inexplicably shifted from the late Nineties to the Fifties) that aims to emulate the jazzy intrigue of Chinatown, but delivers only clichés and screen-chewing vanity.
As it is, his passionate commitment to the story has resulted in the very definition of a vanity project.
Its homage to film noir is over-the-top and borderline parodic -- at times, it's more Who Framed Roger Rabbit? than Chinatown.
It took Norton two decades to get Motherless Brooklyn made, and the result is a film that's wondrously out of time: one in which the hero isn't out to save the world, just understand it.
A bloated, 145-minute crime flick with a gimmicky protagonist investigating a cliché-prone murder-and-corruption plot.
Fascinating though it is to see Norton continue Caro's work in scrutinising the legacy of one of Gotham's most influential and controversial figures, Norton's anti-capitalist message is undermined by his film's sentimental tendencies.
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