The Man Who Wasn't There2001
The Man Who Wasn't There (2001)
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as Big Dave
as Birdy Abundas
as Ann Nirdlinger
as Creighton Toliver
as Walter Abundas
as Freddy Riedenschneider
as The New Man
as Bingo Caller
as Young Man
as Sobbing Prisoner
as Gatto Eater
as Judge No. 1
as Judge No. 2
as New Man's Customer
as Macadam Salesman
as District Attorney
as Lloyd Garroway
as Swimming Boy
as Prisoner Visitor
as Pie Contest Timer
as Flophouse Clerk
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Critic Reviews for The Man Who Wasn't There
Affectlessness is not a quality much prized in movie protagonists, but Billy Bob Thornton, that splendid actor, does it perfectly as Ed Crane.
The film holds the interest, to be sure, but more due to the sure sense of craft and precise effect that one expects from the Coens than from genuine involvement in the story.
Joel and Ethan Coen stay true to their bent for dense heroes and neonoir, and to their unshakable conviction that life usually turns out to be splendidly horrific.
In this the Coens' sly script is helped no end by Billy Bob Thornton's supremely eloquent performance as the taciturn tonsor, lent terrific support from Frances McDormand as the wife.
Despite the movie's humor and sense of irony, it takes on a sense of somberness as it progresses.
Audience Reviews for The Man Who Wasn't There
One of the best commentaries I've seen on the murky condition of what can be deemed as modern man, Thornton (a revelation) plays a guy who is so removed from society, from even himself, that he is, in effect, only a spectator in his very own life. (But what's the point of that? What does that accomplish?) Everyone does a bang-up job, and this is eye opening filmmaking at it's best. Perhaps the best by the Coen Bros.
The Coens capture the look and feel of not only film noir, but that era (late 1940s) as a whole, perfectly with this film. Billy Bob Thornton is great as the laconic, chain-smoking barber Ed Crane, who doesn't have a whole lot to say, and doesn't really do much either. To break out of his achingly dull life Ed decides to get involved with a businessman trying to start up a dry cleaning business. To get the money for financing, Ed blackmails his wife's boss who is having an affair with her. Of course, since this is both a noir and a Coen Brothers film, not all goes according to plan, and nothing is really quite as it seems. This isn't the best film from the Coens, but it's still really good. It's by far their most serious work, but even then, there's still a shred of their trademark dry, dark humor and some really odd characters and weird things going on, mostly a motif involving flying saucers. Heck, even Ed himself is very much an alien with how he really doesn't seem to fit into the world. The most striking thing about this film is definitely the look. Filmed in color, but printed in black and white, this is immediately their most strikingly gorgeous work from a visual standpoint. Unlike some modern films done in black and white, this actually does look and feel like a legit 40s film. It's an impressive job that was done by the production designer, costume designer, and the venerable director of photography Roger Deakins. I could stare at this film all day and never tire of the great images it has to offer. Give this one a shot. It's slow, odd, and deliberate, but a real underrated gem worth looking at. The performances are great, the music is wonderful, and it's just a great love letter to classic noir. Also, the commentary track is amazingly entertaining and funny in its own right.
A beautiful minor key film. The inclusion of some of Beethoven's most beautiful sonatas into this noir really works. Thornton and McDormand are fantastic plus a whole host of supporting roles that are hilarious.
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