There aren't many historical drama genre features that satisfies the audience through its mellow tone which is apt for the structure of the script. There aren't any high-pitched dramatic sequences that may stand out in here but it does flow like a melting butter that never fumbles its way down the road. Jeff Nichols; the writer-director, has written a gripping layered screenplay that is exceeded by its brilliant execution and editing that ups the ante of the feature and communicates with the audience in each and every frame. The feature fails to score on technical aspects like background score, production and custom design although it is shot beautifully which makes it supremely watchable. The performance objective is the game changer where Ruth Negga and Joel Edgerton are in their A game on their parallel role as a couple struggling with its generation. Its first half hits hard and fast and establishes the stakes appropriately after which the maker takes their time on the second half and goes as deep as possible. Loving is a heartfelt soothing experience where there are lots of mutual aspects to connect and feel the characters projected and then the rest of it is carried off by stellar performances.
Non c'è niente da fare Jeff Nichols è uno di quei giovani registi (un altro è indubbiamente Pablo Larrain) che sa come si raccontano le storie, anche molto sentimentali, senza ungerle di glassa melensa strappalacrime e privandole di quella retorica che questo genere di storie facilmente indurrebbero. Lascia sempre che sia lo spettatore a farsi una propria idea su quello che ha visto, e queste dovrebbero essere sempre le basi del cinema(quando non è di propaganda). Joel Edgerton in una prova monstre, quel suo rendere il personaggio, Richard Loving, così schivo, vero, reale e dubbioso di tutto e tutti, lascia il segno; lui non si concede mai a nessuno, se non a sua moglie Mildred Loving, l'attrice etiope Ruth Negga, che personalmente non conoscevo ed è stata una bella sorpresa. American Stories
This PG-13-rated drama presents The story of Richard (Joel Edgerton) and Mildred Loving (Ruth Negga), a couple whose arrest for interracial marriage in 1960s Virginia began a legal battle that would end with the Supreme Court's historic 1967 decision. Truthfully, filmgoers don't even know that a cyclorama has been built around them in just over two hours until the end credits start to roll. The audience gets so caught up in the titular couple's tender romance in the segregated south that the landmark court decision that follows (Loving v. the Commonwealth of Virginia) somehow feels less important than their personal vindication. Rather than relegating the bullet points of their lives to actual headlines and news footage, a tired device that many filmmakers would have juxtaposed into the narrative, Loving begins with a very private moment between the couple that immediately makes all viewers sympathetic partners in this journey. Beautifully so, this intimate handling of their lives stays the course throughout the film. And for many, sympathy slowly becomes empathy.
However despicable the facts, there is much to love about Loving's depiction of the harrowing real events surrounding their plight. Let us count the ways. First off, it marks a career best for writer-director Jeff Nichols (Take Shelter, Midnight Special), who gives audiences a fly-on-the-wall - almost immersive - look into the lives of this rock of a couple. His canvas is practically living and breathing-not without style but never being showy, as well as pointed without ever being in your face. Secondly, as if taking you by the hand, Joel Edgerton and Ruth Negga lead filmgoers beat for naturalistic beat through their ordeal. Appropriate to the characters, their love is palpable and wholly real without ever getting hot and heavy on-screen. These are normal (in their eyes, at least, despite the mores of the period) and simple (but not simplistic) country folk thrust into extraordinary circumstances. Thanks to their performances and Nichols' understated framing of these performances, the drama never feels anything less than nakedly honest. It's a truthful depiction of a true story that feels incredibly refreshing in the bi-polar political climate of a very divided modern America where bigotry very much remains.
To Sun it Up: Black and White and Gold All Over
Aburrida, mal actuada y repleta de clichés y estereotipos.