Hotel by the River (2019) - Rotten Tomatoes

Hotel by the River (2019)



Critic Consensus: Hotel by the River finds writer-director Hong Sang-soo revisiting familiar themes from fresh perspectives -- and telling a story that potently distills his unique creative strengths.

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Movie Info

The film tells the story of an aging poet, Younghwan (Ki Joobong), who summons his two estranged sons (Kwon Haehyo and Yu Junsang) to a solitary hotel beside the Han River because he feels his death is near. While waiting for them to arrive, he meets two women (Kim Minhee and Song Seonmi) out walking in the new-fallen snow and is struck by their angelic beauty. But the women have come to the hotel to do some healing of their own. As Younghwan moves between the women and his bickering sons, he also moves between his two minds: one that walks on the street and the other that communes with the eternal. Shooting in gauzy black-and-white with a strikingly untethered hand-held camera, Korean master Hong Sangsoo interweaves the various dramas of his characters in a quiet, straightforward way. But small coincidences and privileged moments combine to create a powerful meditation on family and death, one of the most affecting films in Hong's oeuvre.

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Critic Reviews for Hotel by the River

All Critics (41) | Top Critics (10)

Hong Sang-soo was the most reliable auteur of the decade...

December 30, 2019 | Full Review…

It's an explosive, soul-baring display from a filmmaker who hasn't lost - and indeed, may be rediscovering - his capacity for surprise.

December 18, 2019 | Full Review…

Hong's free style isn't showy; there's a stillness holding the film together at all times.

February 15, 2019 | Rating: 3/4 | Full Review…

Shot in wintry black-and-white, Hotel by the River folds Hong's usual concerns into a structure that's more complex than usual.

February 14, 2019 | Full Review…
Top Critic

One of Hong's most unexpectedly poignant works, self-reflexive in a way that feels searching rather than rote.

February 14, 2019 | Full Review…

But here, one also finds everything that is worth cherishing about this filmmaker's evolving, self-recycling, self-referential oeuvre.

February 12, 2019 | Rating: B+ | Full Review…

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