The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It's tempting to label Horrible Bosses a post-Hangover comedy. For all I know it may have been in the works before that box-office smash saw the light of day, but it emits the same vibe, even if it doesn't go to the same extremes...
It's not very tightly plotted or precisely scripted but the three leads have lots of obvious camaraderie and energy together - confirmed in a bloopers reel after the end credits - which help to keep the film moving along.
Still, Day's scene involving a mountain of cocaine is hyperspeed-hilarious, Farrell's unhinged, irrational fuming is marvelously cretinous, and Aniston's fully committed sex-addict sexpot act is wickedly absurd.
There's an underlying, nearly universal relatability to "Horrible Bosses" that can't be denied and that screenwriters Michael Markowitz, John Francis Daley and Jonathan Goldstein use to great advantage.
Jason Bateman, Charlie Day, and Jason Sudeikis are pals who decide to knock off their miserable bosses, and their conspiracy leads in all sorts of unexpected directions in this crowd-pleasing, occasionally funny farce.
The laughter is mean but also oddly pure: it expels shame and leaves you feeling dizzy, a little embarrassed and also exhilarated, kind of like the cocaine that two of the main characters consume by accident.
"Horrible Bosses" has no meaning or purpose whatever, but it does have Colin Farrell with a bad comb-over, Kevin Spacey acting really mean and Jennifer Aniston as a spray-tanned sex maniac, and that's going to have to do.
There are few comedy pleasures better suited to the medium of movies than that of watching supposedly normal people behaving terribly. And if those transgressing characters are played by popular movie stars, so much the better.
It's one of those revolting, raunch-fueled movies churned out in their sleep by the Farrelly brothers and Judd Apatow that I usually hate, but with real cleverness, off-center wit and edgy imagination.