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as Richard Nixon
as David Frost
as Jack Brennan
as Caroline Cushing
as Swifty Lazar
as James Reston Jr
as Bob Zelnick
as John Birt
as Pat Nixon
as Frank Gannon
as Diane Sawyer
as Sue Mengers
as Tricia Nixon
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Critic Reviews for Frost/Nixon
In its glib and reductionist way, it works like a charm. Or better yet, like television. Which, finally, is a compliment.
You never feel like you're watching a play on film: The way Morgan has opened up the proceedings in his screenplay feels organic under the direction of Ron Howard, who has crafted his finest film yet, and one of the year's best.
Nixon is infinitely more complex than George W. Bush, which is probably why this one slice of his life is more intriguing than "W," which covers decades.
The outcome isn't half as conflicted as you might imagine, though it's hard to argue that Howard brings anything new to Morgan's play.
It sounds like an awful night out in the cinema. But you will be amazed. In Frost/Nixon Ron Howard turns this duel between Michael Sheen's glossy playboy and Frank Langella's shifty ex-President into a gripping tango of egos.
Audience Reviews for Frost/Nixon
NIce piece of history and a powerful performance by Langella portraying Dick Nixon
When watching films based on true events, my propensity for doubting what I see on screen is instantly heightened. The main thing that I found suspect was the extent to which Nixon was constructed as a villain. During the film he is shown to be deceptive, racist, lecherous and a man unashamedly motivated by money. The film does add favourable depth to the character in places, making the viewer pity him in some respects, but generally Nixon doesn't fare well at all. I don't know enough about the man to accurately comment on the film's portrayal of him, however I did find the characterisation somewhat dubious. Furthermore, upon researching the interviews, I read that David Frost's experience was different to what's seen in the film. According to his partner Caroline Cushing, he didn't fret endlessly over his performances with Nixon, he was quite content with each of the interviews. So, like many films 'inspired by true events', the film takes liberties with the facts. However this doesn't matter to the viewer, the artistic licence makes for a great piece of dramatisation. The film is quite a gruelling experience; the pressure in and out of the interviews is intense. For a film that concerns conversations, it is quite remarkable how compelling and uncomfortable it is. The wars of words and mind games are more engrossing than any boxing match in 'Raging Bull' or 'The Fighter'. The film's chief merit lies in its performances. Martin Sheen sounds and even looks exactly like David Frost, it is quite uncanny. And whilst not meeting the likeliness achieved by Sheen, Frank Langella is equally as captivating as Nixon. Also, Kevin Bacon gives a good, typical Kevin Bacon performance as Jack Brennan, the officious aide to the President. Frost/Nixon is a taut, entertaining dramatisation with strong performances and an accomplished period aura.
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