The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Taking a role designed to collapse the divide between performer and character as opportunity to uncover new levels on naturalism, Huppert offers another beautifully modulated turn in a part that is primarily reactive.
Sachs builds a physical world so relentlessly clean, classy, and gorgeous it teeters on the edge of travelogue. But he fails to people it with characters we could care much for or about, so busy are they shilling for banal observations on life.
The customarily skillful Sachs here takes a frankly rarefied approach a little reminiscent of the Australian director Ben Hackworth -- framing the idyllic "natural" settings as if they were backdrops made for the actors to stand against.
Alongside the magnetic Isabelle Huppert in a role that draws with equal grace from her well of dry humor, flinty intelligence, diva hauteur and internalized sorrow, there are affecting moments to savor also from... a solid ensemble cast.
It's like an elegant bracelet that's modest enough to go unnoticed, but nevertheless reveals a quietly exquisite beauty to those who are willing to lean in and look closer (even if they have to squint).