The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
[A]ction-packed explosion of raw and visceral lust, corruption, vengeance and violence that dazzles, delights, intrigues, and celebrates the noir thrillers of the 30's, 40's and 50's on screen and on the pulp page.
With Sin City: A Dame to Kill For... you can't take your eyes off the hyper-stylised fetishism on-screen... but you'll find it difficult to remember anything afterwards. This is instant gratification, a hard drug for the eyes.
While it might not feel as complete and well-rounded as the first movie, Sin City: A Dame To Kill For is a worthily prurient follow-up that offers up a whole bundle of new cinematic tricks, and a rogue's gallery of exciting new characters.
The stylistic brilliance of the Sin City sequel is much the same as its forerunner in 2005 - an explosive interpretation of Frank Miller's graphic novels in which dames are curvaceous temptresses and men are killing machines at the ready
Every frame is some kind of digital marvel, yet the most impressive sights are old school: the blunt-instrument fearsomeness of Mickey Rourke's Frankensteinian prosthetic face and the dangerous curves of femme fatale Eva Green's often undraped body.