The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It asks a great deal of indulgence from its audience, almost as though nothing less than an endurance test would do in dealing with this heavyweight subject. And that, despite admirable aims, doesn't make for great cinema.
Does Downfall "humanize" Hitler and his henchmen, as its critics have complained? Yes, and it should: to pretend these villains were less than human is to let ourselves off the hook, to take the easy and dangerous exit of demonology.
"Downfall" isn't about commuting history's sentence for the Nazis, but heeding its warning - a gruesome, sustained-tension lesson about informed politics and whether those who left evil to its own devices could arrive at a place of complicit guilt.
As the first German-made film about Hitler's ruination since G.W. Pabst's "Der Letzte Akt" ("The Last Act" - 1956) "Downfall" is a stunning cinematic achievement that illuminates minutiae about the last 10 days of the nefarious German leader who won the h