Cherry Tree Lane (2010) - Rotten Tomatoes

Cherry Tree Lane (2010)



Critic Consensus: No consensus yet.

Cherry Tree Lane Photos

Movie Info

A couple is terrorized by a gang who is hunting their son.

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Rachael Blake
as Christine
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Critic Reviews for Cherry Tree Lane

All Critics (28) | Top Critics (15)

Its suggestion of a conscienceless underclass will be as a red rag to more conservative souls, but you suspect Williams won't care. He's becoming a real player in the cinema of ordeal.

September 3, 2010 | Rating: 3/5 | Full Review…

If Michael Haneke were drafted in to direct an EastEnders Christmas special, it might look like this raw, no-budget, home-invasion nightmare.

September 2, 2010 | Rating: 3/5 | Full Review…

...bringing vastly different classes and generations into explosive collision, and utterly unsettling the bourgeois norms of a society that prefers to keep its problems on the other side of the door.

September 2, 2010

Deeply unpleasant, tightly scripted and well executed...

September 2, 2010 | Rating: 2/5 | Full Review…

Good playing and powerful film-making make Cherry Tree Lane distinctive.

September 1, 2010 | Rating: 3/5

The grim comedy keeps coming and the laughter keeps dying in our throats.

September 1, 2010 | Rating: 4/5 | Full Review…

Audience Reviews for Cherry Tree Lane

An hour and 17 minutes of my life wasted.

Beth Murphy
Beth Murphy

Super Reviewer

Superbly directed and acted home-invasion thriller that's over in a brisk 75 minutes. It's like Funny Games without the breaking of the 4th wall or the "aren't I clever, and aren't you sick" audience winking. It has a beginning, a middle, and an end, and that's about it, and the lack of point means it only really works as a technical exercise.

Daniel Parsons
Daniel Parsons

Super Reviewer

Williams tackles a growing media preoccupation in the UK, namely knife wielding yoofs, but pushes it into the face of the cosy middle classes with a worthy follow up to 'London to Brighton' (lets just ignore 'The Cottage'). What the film does well is to capture how quickly a calm suburban evening can be destroyed by the wrong knock at the door. Williams cleverly contrasts the attackers and their prey and it has a much more authentic feel than say Haneke's 'Funny Games'. Most of the violence is heard off-screen or through the results which disturbingly makes your mind fill in the blanks. The central lull in proceedings actually becomes tense as you and the characters wait for the promised grisly end.

Gordon Anderson
Gordon Anderson

Super Reviewer

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