The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The tension of Calvary is fitful at best, and much of the movie trips into silliness, but in Brendan Gleeson -- in his proud bearing and his lamenting gaze -- we see the plight of the lonely believer in a world beyond belief.
It serves as a marvelous showcase for Gleeson, a great old-lion actor who shows, in the film's many close-ups, a quiet, weary yet unbending faith, and a face on which emotion can play like a wave on the beach.
Gleeson is a wonderful actor and he keeps a lid on the blarney. He manages to convey a lot -- fear, anger, compassion, rue -- with only the slightest of squints and frowns. But he's still the center of a cooked-up cavalcade of souls.
McDonagh walks a hazardous tightrope from scene to scene, from amiable comedy to black-hearted farce to heartbreaking tragedy, often trying to strike all those notes within seconds. It doesn't all work equally well, but the cumulative effect is powerful.
There is a strong whiff of Beckett-like absurdism and bleak humour in the film, which benefits from a performance of wonderfully droll dignity and bemusement from Brendan Gleeson as a priest confronting his mortality.
It presents us with a satirical image of a country which is cracked and fractured into pieces, a crazy-paving that isn't fitting together. Without the powerfully charismatic Gleeson, I suspect, the film itself wouldn't fit together.