Caesar Must Die2013
Caesar Must Die (2013)
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as Cassio, Himself/Cassius
as Himself/Brutus, Bruto
as Himself/Caesar, Cesare
as Himself/Mark Anthony, Marcantonio
as Decio, Himself/Decius
as Himself/Lucius, Lucio
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Critic Reviews for Caesar Must Die
It is almost an impertinence to think that we understand the thoughts of these actors and those in the audience who are relatives and friends. But this is the intriguing privilege that the Taviani brothers have given us.
There's barely a wasted moment in the film, which runs a brisk 76 minutes and contains no female roles.
There's an intensity and emotional accuracy to the performances that's just stunning, particularly Striano's Brutus, as he longs for death and release.
It is difficult to understand exactly where documentary ends and fiction begins, but the finale, again in colour, of the triumphant first night of the production can't fail to move.
It's never anything less than interesting, though I felt it didn't quite fulfil its potential, and the repetition of material at the beginning and end is disconcerting.
Audience Reviews for Caesar Must Die
I saw this at the 2013 Cleveland International Film Festival. I loved it! It is partly in color and partly in black and white. It is not a straightforward production of Julius Caesar. It is about the theater process. The actors are real-life incarcerated Italian prisoners. We end up seeing an abbreviated version of the play, since time is spent reading between the lines. We watch some of the auditions. We watch the rehearsals. We watch a couple of the leads as they privately memorize their lines and sort out their characters' motivations. We watch the whole prison get excited for the magic of theater. And then in color, we see bits of the performance staged for the public. The aftermath is used as bookends, and while it doesn't make much sense at the start, it is heartbreaking at the end as we observe the impact theater had on these men who still face confinement. It is well shot and there are moments of tension as well as comedy. We learn in the closing credits that Giovanni Arcuri, who plays Caesar, and Cosimo Rega, who plays Cassius, have both written books. Cosimo was apparently profoundly affected by the experience. Salvatore Striano, who is excellent as Brutus, has since continued acting on stage and in four other feature films.
"Caesar Must Die" is not the name of a "Spartacus" spin-off.(which I'm also not entirely ruling out by the way) Rather, it is a riveting production of Shakespeare's "Julius Caesar," which is about power and betrayal, performed by a group of convicted criminals in a maximum security prison in Italy.(Of those we meet in the auditions, only a couple are not in their 40's, thus implying these are lifers in more than one sense.) This is not just a filmed stunt, as the claustrophobic environs of the prison are woven seamlessly and subtly into the performance itself, filmed in black and white. Ostensibly, these are just rehearsals which end up taking on a life of their own, as work on the theatre continues. Otherwise, the only segments in color are the play's ending and its triumphant aftermath. As much as the convicts put into the play via their unique interpretations, it could also be said that they get an equal amount out of the experience, as one comments at the end of the movie that after realizing that there is such high art, his imprisonment has become that much harder to bear.
An interesting docufiction that is both an intelligent meta-narrative feat and an important record of a real production - the staging of Shakespeare in a prison. But above all, it shows how Art can have a transforming impact on even the most unexpected of people.
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