Behind the Mask: The Rise of Leslie Vernon (2006)
Behind the Mask: The Rise of Leslie Vernon Photos
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as Leslie Vernon
as Taylor Gentry
as Doc Halloran
as Mrs. Collinwood
as Kelly Curtis
as Doug Johnson
as Todd Best
as Dr. Meuller
as Stoned Guy
as Slightly More Stoned Guy
as Carrie the Virgin Girl
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Critic Reviews for Behind the Mask: The Rise of Leslie Vernon
A deconstructionist horror comedy that owes a debt to Scream and the 1992 Belgian film Man Bites Dog, Mask nevertheless has enough pitch-perfect wit to lay claim to its own patch of postmodern, movie-loving snarkiness.
About two-thirds in, the movie shifts gears disastrously. Made me want to haul someone into the cutting room for revenge.
The script's laughs are too widely spaced. Even before the plot takes a third-act turn into the land of kill-by-the-numbers slasher movies, the jokes drip when they should be gushing.
If Scott Glosserman's witty slasher spoof had celebrities, it would probably be a success like Scream or Scary Movie. As an indie, it's more apt to be a cult fave. Either way, it's a must for those who like thrills laced with humor.
There is a lot of cleverness at work here, especially when the movie switches from the Blair Witch-style shaky camera to more accomplished and atmospheric low-budget lensing.
Audience Reviews for Behind the Mask: The Rise of Leslie Vernon
Behind the Mask is a brilliant low budget Slasher film that reinvents the wheel and offers genre fans something truly original to watch. Successfully combining traditional genre elements with Black Comedy, this film is a refreshing take on a classic genre of the horror medium. Filmed as a mockumentary, it follows a film crew that is documenting Leslie Vernon, a murderer who plans his revenge for what the town did to him years ago. Using Clichés to his own advantage, director Scott Glosserman crafts a movie that is an absolute must see for die hard horror fans. The mix of comedy and horror work extremely well and complement each other effectively well to create something truly memorable. The cast do a fine job in their performances, and the strength of the film lies in the fact that it can go from being pretty funny to a dark, nasty horror film that delivers the goods. That's rare for a filmmaker to do such a thing, but Glosserman does it effortlessly. The first act of the film succeeds at establishing the humor and legend and dreams of Leslie Vernon as he wants to join the greats of Jason Voorhees, Freddy Krueger and Michael Myers. There are plenty of funny moments to be had in the first thirty minutes of the movie, but towards the end, the film takes a different approach and travels familiar ground and becomes a straight up Slasher film with plenty of effective kills to delight genre fans. Any fans looking for something truly original ought to check out this low budget gem, it is sure to become a classic in the genre and it brings some much needed originality to a somewhat stale genre that is overdone with remakes. Behind the Mask joins the likes of the Hatchet films and Laid to Rest movies as standout features that bring a modern twist to a classic genre.
Nice guy-next-door invites film crew over to document the fulfillment of his own little personal dream: to one-up Freddy Kruegar, Michael Myers and Jason Voorhees. Is he kidding? Those guys are unstoppable killing machines. That's the comic part. But he's not kidding. And that's horror.
Smug self-satisfaction is what one takes away from this glib, unfunny mockumentary that might have been fertile territory for Christopher Guest to lampoon, but the filmmakers misunderstand that just because you namedrop what your target that doesn't necessarily mean you are above it. Nathan Baesal as Leslie is a preening Jim Carrey clone that projects absolutely no menace and is rarely humorous. When Leslie is instructing his interviewers on "industry terms" like a "survivor girl", we are vexed by the perceived " hipster smartness" of the film. Once the film segues into a splatter flick, Leslie has already established himself as a camera-ready buffoon and none of what transpires is spine-tingling, it's just transparent and yawn-inducing. One of the worst films I've seen during this October marathon.
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