The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
I think this is a superb movie for its original content, exhilarating editing and Bresson's Puritanistic camera work, belt-high and wonderfully toned, that creates a deep, damp, weathered quality of centuries-old provincialism.
The antithesis of cute Disney films about animals, Au Hasard, Balthazar is a stark meditation on existence in which meaning is conveyed through images and sounds, culminating in a moment of sublime epiphany.
With Bresson, patience is rewarding, and not just because Balthazar has an ending both strangely beautiful and profoundly sad. It's worth the effort to connect to this singular vision, one that's austere and humane in equal measure.
The film could have sunk beneath this symbolic burden, yet it is lightened by the speed and precision of Bresson's art; he could derive more from one pair of hands than most directors can from two hours of blood and guts.
It's a study of human weakness and cruelty, it's a portrait of Christ the suffering servant, it's the heartbreaking story of a young girl's descent from innocence to despair. But above all, it's a movie about a donkey.