Critic Consensus: Built on lavish vistas and impeccable production, Australia is unfortunately burdened with thinly drawn characters and a lack of originality.
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as The Drover
as Lady Sarah Ashley
as Kipling Flynn
as Neil Fletcher
as King Carney
as King George
as Sgt. Callahan
as Bandy Legs
as Myrtle Allsop
as Administrator Allsop
as Administrator Allsop
as Old Drunk
as Carney boy 3
as Gloria Carney
as Sing Song
News & Interviews for Australia
Critic Reviews for Australia
"Australia" is a shameless-and shamelessly entertaining-pastiche. It works because Luhrmann, a true believer in movie-movie magic, stamps it all with the force of his own extravagant, generous personality.
The effect of watching a Baz Luhrmann film is indistinguishable from the effect of having a crater-sized parcel of glitter dropped on your head.
If you are willing to take the plunge and view things through Luhrmann's prism, Australia does deliver the classic dramatic and romantic satisfactions its ambitious advertising campaign promises.
It's a fine romp, epic in both ambition and visuals if not narrative - and if director Baz Luhrmann had stopped at the end of the love story's trajectory, the audience would have left entirely happy.
Australia is an epic love story, and a quite extraordinary piece of kitsch. Everything about the film is wildly over the top.
Audience Reviews for Australia
It's not awful, but it certainly lacks the tongue-in-cheek spark of other Baz Luhrmann films, thus rendering the emotion quite melodramatic. I wouldn't say the movie could've ended three times (in that it was too long and repetitive), but new plot points just kept building on and on. There's always more. This must have been when Nicole Kidman was Botoxing it cuz her face is a bit plasticky, and she overmugs to compensate. Brandon Walters as the half-Aborigine boy, Nullah, is plucky and exuberant. Hugh Jackman is rough and gruff on the outside, marshmallows and puppy dogs on the inside.
Somewhere beyond "good," but not quite "really good." I've always been a Luhrman fan, so some of the more airy or mystical qualities of this film didn't bother me, and I was often swept away by the bright, beautiful visuals. The two stories (Jackman and Kidman as the lovers in a dangerous time, and the spirit quest Kidman's adopted Aboriginal child must go on) don't exactly dovetail, but they make for a film in which multiple perspectives are presented, sometimes thoughtfully and other times laboriously. In all, I thought it an entertaining and somewhat unfairly panned film. It's either the most or the least ambitious work Luhrman's ever done, and it's worth seeing once to decide for yourself.
I thought this was an epic 'Dances With Wolves' type film so I was alittle disappointed to discover it isn't, its more of a romantic comedy/epic in the same vain as 'Gone With the Wind'. That's fine and for what it is its a good film but its not quite my cup of tea. It is very well made and in fine 'Gone With the Wind' form, the Aussie cast are all perfect for their roles (except Jackman seems a little typecast as 'Wolverine' hehe that's all I could think when he shows his chest, Wolverine in 1939) and the visuals are tremendous, the Oz landscape is really used for its best possible look although there is quite alot of bluescreen used which is obvious (to me anyway). It would have been nice to see an epic about the Aborigines in 'Dances' style to be honest, that could of been very cool, the glimpses of the old Aborigine man King George is very curious and needed to be explored more. The first 30min of this film does tend to be rather romcom and silly, much like Jackmans other romcom period set film 'Kate n Leopold'. It does get much better and more serious as the war looms closer and things get abit teary for sure. The effects are, as said, obvious but look atad better during the war sequences. Its a very old style flick, very 40's right down to the end credit fonts hehe which is nice, a good film but maybe too mushy haha but thats how they used to be right :) a nice happy ending.
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