...And Justice for All1979
...And Justice for All (1979)
Critic Consensus: A volcanic Al Pacino holds court in this histrionic legal drama, the star grounding a tonally imbalanced script with the conviction of his impassioned performance.
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as Arthur Kirkland
as Judge Francis Rayford
as Judge Henry T. Fleming
as Grandpa Sam
as Jay Porter
as Gail Packer
as Ralph Agee
as Jeff McCullaugh
as Warren Fresnell
as Frank Bowers
as Carl Travers
as Leo Fauci
as Officer Leary
as Elderly Man
as Prison Doctor
as Deputy Sheriff
as Desk Clerk Kiley
as Assistant District Attorney Keene
as Judge Burns
as Marvin Bates
as Robert Wenke
as Prison Warden
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Critic Reviews for ...And Justice for All
With Al Pacino starring and Norman Jewison directing, the Joe Wizan presentation for Columbia release socks across an often scathing, surprisingly funny and constantly terrifying scan of today's judicial system
Justice is seldom as deep or trenchant as it wants to be, but there's abundant pleasure to be gleaned from skating along its surfaces.
Attempts to alternate between comedy and drama, handling neither one incompetently, but also not excelling at either task.
Aims to do for the American judicial system what All the President's Men did for the presidency, and if Jewison had only maintained the tone of the superb original screenplay, he might have succeeded.
With the exception of Mr. Strasberg and Mr. Levene, the actors are as hysterical as their material.
Audience Reviews for ...And Justice for All
Not for all, at leas not for THE ONE who matters the most!! Clumsy way of making an attempt to expose the legal system for what it is, and displaying its effects on those concerned. But it was much realistic and wish I could have appreciated it for that.
An over-rated legal drama centering on one lawyer's (Al Pacino) desire to take-down the legal system that is so corrupt. While this movie features a heck of a turn from Pacino (but this is always expected), as well as a phenomenal performance by the vastly under-rated Jeffrey Tambor, this film is convoluted to the max. There is just frankly way to much stuff going on packed in to a two-hour slot, topped off with an overdone Pacino speech near its conclusion that feels forced and something totally expected in a Hollywood crowd-pleasing script. A pretty bad film, and one that should have dropped one of its many side-plots and focused on only two or three of them, that way the dramatic punch it tries to swing at its conclusion would have had more weight to it.
Al Pacino (along with Robert DeNiro) was probably the greatest actor of the 1970's. Long before he became the yelling guy that found his start in Scarface and was awarded for his noise in Scent of a Woman, Pacino was an actor's actor. He ended his reign in the 1970's with ... And Justice For All, a courtroom drama that wasn't a very stellar story but overcame its problems with great acting and direction. Arthur Kirkland (Pacino) is an idealistic defense attorney that tends to grate against the established legal hierarchy in Baltimore. He soon finds himself juggling two cases where the defendants don't really belong in jail, a suicidal judge (jack Warden), a girlfriend (Christine Lahti) who is investigating ethics issues in the courts, and the judge (John Forsythe) he hates who asks him to defend him in a rape trial. That's a ton of stuff to juggle and as the movie progresses Arthur becomes more and more disgusted by the way the law has turned into a car lot mentality. "Let's make a deal! Let's make a deal!" The story is just so-so. There are points that feel like pure manipulation and predictability is the standard. The thing about this film is that when you dissect it into its acting and directing you get more than what the total film really is. The acting from all levels is superb with that young Pacino leading the way. he was still a king in 1979. Jewison directs the film in a way that leaves room for comedy and a little bit of tension. He makes a bland story interesting. ... And Justice For All has been shafted for years as some of Pacino's lesser work, but when you look at it from a technical standpoint and forget about the many flaws of the script you see what a precision picture this film really is. A '70's classic that closed the decade with class.
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