The Contender (2000)
Critic Consensus: The Contender wears its political heart on its sleeve, but strong performances and a solid screenplay help the end result add up to a gripping drama from either side of the aisle.
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as President Evans
as Congressman Skakle
as Congressman Marshall
as Peter Crenshaw
as Steve Poullet
as Maggie Runyon
as Director Friend
as Show Producer
as Reporter No. 4
as Secret Service Chief
as Congressman Fletcher
as Congressman Jones
as ABU Hunter
as Ted Edwards
as Patricia Lavameer
as Peronal Waiter
as Elaine Bidwell
as Sergeant at arms
as Joe Smith
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Critic Reviews for The Contender
The movie has plenty going for it: a terrific cast led by Joan Allen, Jeff Bridges and Gary Oldman, a captivating story line, a sharp script. Most important, The Contender has timing.
What makes this twisty, cautionary yarn ... delicious is a cast that chews the scenery with such obvious enjoyment.
This is one of those rare movies where you leave the theater having been surprised and entertained, and then start arguing.
While you're watching it, The Contender lives up to its title.
Audience Reviews for The Contender
A decent, if very flawed and Hollywood-ized political thriller concerning the President (Jeff Bridges) having to fill the void of Vice President, and deciding between a very well-respected governor (William L. Peterson), and a woman senator (Joan Allen) with an apparent dark past. This movie has all the ingredients to be a smash - Joan Allen at her finest, Jeff Bridges having fun as the President, Gary Oldman playing sleazy, heck even Sam Elliott is a key part of the whole thing, sadly the movie falls flat on its face at its ridiculously over-the-top finale that left me feeling betrayed. While it pulls some twists that are original and somewhat conceivable, the last 5 minutes of the movie turn this film from being a respectable political thriller into an okay but unsatisfying movie that decided to get too dramatic instead of sticking with the subtle but effective card it played so well for most of the story. Not horrible, but certainly skip-able.
"Sometimes you can assassinate a leader without firing a shot." Sexy secrets from a womans past come to light as she runs for Vice President.
There are so many elements that could have made this a complete disaster, such as the hilariously bad ending, the movie's inability to hold its position on female sexuality, Christian Slater's lousy performance, and the need to put Gary Oldman in a shitty half-bald wig to emphasize that he's an evil slimeball, but Joan Allen's noble performance spares the affair. I believe that The Contender has good intentions, but like many other films of its kind, it does not trust the minority character it has empowered in the end. After the cards have fallen, Jeff Bridges gets the final word in the whole affair, which is really a shame since the movie is certainly not about him. It is reminiscent of Spencer Tracy's excruciating final monologue in Guess Who's Coming to Dinner. It's a shame that the film passes him its final contention, because the rest of his performance is acerbic and thoughtful as one might come to expect from Bridges. Allen of course makes the film, playing a strikingly believable politician; mature, assertive without aggression, not flighty but not totally humorless. She takes the part and plays it with a total lack of histrionics, which creates an elegant contrast to the rabid media frenzy her past may have left in its wake. Unless you ain't down with the gangbangs, you leave the movie feeling like Allen is someone you'd really want as a politician, someone with her eye on what is really important. The problem lies primarily in the ending's treatment of her, but obviously I cannot discuss this without spoiling it. Simply, beatifying a character isn't necessarily the best way to exonerate them. I can't help but wonder if this was a studio concession, or a way to gloss over the audience's own squeamishness with Mrs. Hanson's dubious acts, but I do know that it feels cheap. Anyway, good concept, and nice attempt at an important gender parity story. It really does a lot to illuminate how venomous politics can be. It doesn't succeed in its primary goal, though it is a relatively entertaining political yarn with fine work from a majority of the cast. I don't really know if Rod Lurie got beneath the surface of the message he was sending, though. The movie retains exemplary control in every aspect but its ideology.
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