Simon Abrams Movie Reviews & Previews - Rotten Tomatoes

Movie Reviews Only

Rating T-Meter Title | Year Review
2/4 70% Villain (2020) Nobody in this movie has a complex inner emotional life, so it's not surprising that the movie's ending is ridiculous.‐ RogerEbert.com
Read More | Posted May 22, 2020
2/4 48% Arkansas (2020) Arkansas doesn't usually look like much (lots of music video lighting), and is often over-edited.‐ RogerEbert.com
Read More | Posted May 5, 2020
2.5/4 84% Deerskin (2020) Georges' descent into madness is never as immediately compelling as it is theoretically clever.‐ RogerEbert.com
Read More | Posted May 1, 2020
1.5/4 73% The Wretched (2020) The Wretched doesn't work as either comfort food or gross-out entertainment.‐ RogerEbert.com
Read More | Posted May 1, 2020
3/4 82% 1BR (2020) There's a light at the end of the tunnel for Sarah, and seeing her claw her way to it is often fun, albeit in a gasp-inducing sort of way.‐ RogerEbert.com
Read More | Posted Apr 24, 2020
2.5/4 97% Why Don't You Just Die! (Papa, sdokhni) (2020) Why Don't You Just Die! is stylish enough, but it's rarely as clever as it is busy.‐ RogerEbert.com
Read More | Posted Apr 17, 2020
2.5/4 31% Clover (2020) While Clover may not be original, it is pretty watchable.‐ RogerEbert.com
Read More | Posted Apr 3, 2020
1/4 72% Vivarium (2020) There's more hand-me-down genre movie tropes than recognizable human behavior in the new sci-fi/horror hybrid Vivarium.‐ RogerEbert.com
Read More | Posted Mar 27, 2020
1.5/4 62% Lost Transmissions (2020) [Pegg and Temple are] good enough to make you want to care, even when their characters don't seem to be worth caring about.‐ RogerEbert.com
Read More | Posted Mar 13, 2020
69% Escape from Pretoria (2020) Almost everything that's enjoyable is a variation on stuff you've probably seen in superior prison movies, though Radcliffe's haunted performance is exceptionally compelling.‐ TheWrap
Read More | Posted Mar 6, 2020
2.5/4 83% The Whistlers (2020) There's not much to Porumboiu's latest beyond a surplus of plot twists and double crosses.‐ RogerEbert.com
Read More | Posted Feb 28, 2020
90% My Hero Academia: Heroes Rising (2020) This new movie delivers more of what the anime has to offer fans, and very little else.‐ TheWrap
Read More | Posted Feb 26, 2020
2.5/4 48% Greed (2020) Greed is what you get when intelligent, righteously pissed-off filmmakers try, sometimes successfully, to make an acidic black comedy about late capitalism.‐ RogerEbert.com
Read More | Posted Feb 21, 2020
3/4 92% Ride Your Wave (2020) The movie's unabashed sentimentality never feels unbearable.‐ RogerEbert.com
Read More | Posted Feb 19, 2020
53% Guns Akimbo (2020) Kind of fun if you don't expect more from it than a bratty, gore-soaked sci-fi/action black comedy about a shy gamer who learns to stop worrying and accept that he's part of an online community full of desensitized players and bloodthirsty trolls.‐ TheWrap
Read More | Posted Feb 19, 2020
1/4 64% Sonic the Hedgehog (2020) It's too inoffensive to be hated and too wretched to be enjoyable.‐ RogerEbert.com
Read More | Posted Feb 13, 2020
3.5/4 82% The Traitor (2020) [The Traitor] exists just outside the realm of genre movie conventions and deep inside its unreliable protagonists' hard-scrambled psyche. It's a nightmare; it's a gas.‐ RogerEbert.com
Read More | Posted Jan 31, 2020
75% The Nowhere Inn (2020) A collection of comedic and musical sketches that are not funny, weird or thoughtful enough to sell its creators' insistent, but mostly trite and undeveloped, ideas about the performative nature of self-fashioning and creative authenticity.‐ TheWrap
Read More | Posted Jan 26, 2020
3/4 86% Zombi Child (2020) French voodoo/gothic drama "Zombi Child" is mostly satisfying, but also a little frustrating because of its creators' walking-on-shells sensitivity.‐ RogerEbert.com
Read More | Posted Jan 24, 2020
3/4 91% Weathering with You (2020) Weathering With You is a perfect entry point for animation fans who are still looking for the next big Pixar or Hayao Miyazaki.‐ RogerEbert.com
Read More | Posted Jan 17, 2020
3.5/4 67% Darbar (2020) Darbar, Rajinikanth's latest Herculean tribute to himself, is about as enjoyable as it is ridiculous.‐ RogerEbert.com
Read More | Posted Jan 15, 2020
90% Ip Man 4: The Finale (2019) The movie's called "Ip Man 4" for a reason, and by now, that name is synonymous with a certain kind of stylistically conservative beat-em-up, featuring well-choreographed but dramatically contrived fights between Ip and a bunch of anti-Chinese brutes.‐ TheWrap
Read More | Posted Dec 23, 2019
40% The Song of Names (2019) The kind of mediocre Holocaust drama that used to be taken more seriously in the 1990s, partly thanks to the Weinstein brothers and Miramax.‐ TheWrap
Read More | Posted Dec 23, 2019
3/4 86% Only Cloud Knows (2019) While Feng's latest may be unbearably sentimental and too blunt, it's also good enough, if you're looking for a little romance and a good cry.‐ RogerEbert.com
Read More | Posted Dec 20, 2019
2.5/4 52% Rabid (2019) [The Soskas] have a wickedly funny sense of humor, and a few winningly nasty ideas.‐ RogerEbert.com
Read More | Posted Dec 13, 2019
3/4 38% Black Christmas (2019) [Black Christmas] mostly feels personal and urgent thanks to some atmospheric scare scenes and some sharp dialogue that reflect the world outside the movie theater in ways that most other studio-distributed horror films don't.‐ RogerEbert.com
Read More | Posted Dec 13, 2019
36% 6 Underground (2019) It wouldn't be a Michael Bay movie if he didn't slavishly cater to the lowest common denominator (get ready for some sexist and gay-panic jokes!), so it makes sense that Bay's antiheroes are more obnoxious when they're trying to be good.‐ TheWrap
Read More | Posted Dec 11, 2019
2/4 82% Daniel Isn't Real (2019) There's not much to Daniel Isn't Real beyond a cynical, generic coming-of-age story and a lot of unexamined second-hand ideas about creativity, empathy, and spirituality.‐ RogerEbert.com
Read More | Posted Dec 6, 2019
2/4 68% White Snake (2019) There's not enough on-screen to make this listless time-waster worth recommending.‐ RogerEbert.com
Read More | Posted Nov 27, 2019
73% Shooting the Mafia (2019) She lets her photographs of the Sicilian mob speak for themselves, leaving a lot of room for basic questions like, "Who am I looking at in this photo, when was it taken, and what was going on when this was shot?"‐ TheWrap
Read More | Posted Nov 22, 2019
1/4 24% The Warrior Queen of Jhansi (2019) The makers of The Warrior Queen of Jhansi don't give viewers as many reasons to invest in their versions of these characters, not beyond speech-like declarations of intent and canned drama that often resolves itself in a matter of minutes.‐ RogerEbert.com
Read More | Posted Nov 15, 2019
1.5/4 39% Primal (2019) Face it, tiger: Primal is boring.‐ RogerEbert.com
Read More | Posted Nov 8, 2019
96% Queen of Hearts (2019) The filmmakers rarely consider their subjects' emotions or backgrounds beyond a very finite point.‐ TheWrap
Read More | Posted Oct 30, 2019
47% Ravenous (1999) I]f anyone could make a good adaptation of either of Lansdale's Jonah Hex comic mini-series or his great standard "Incident On and Off a Mountain Road," it's Bird and Griffin.‐ Slant Magazine
Read More | Posted Oct 29, 2019
3.5/4 81% Girl on the Third Floor (2019) The impressive haunted house flick Girl on the Third Floor is just as much a machine to produce seductive imagery as it is an effective deconstruction of those blatant symbols.‐ RogerEbert.com
Read More | Posted Oct 25, 2019
90% The Elephant Queen (2019) Not as tonally stable nor as thematically cogent as it could have been, but it does feature some child-appropriate scenes of animals relieving themselves, having sex, and even dying.‐ TheWrap
Read More | Posted Oct 17, 2019
1.5/4 66% Jay & Silent Bob Reboot (2019) The most uninspired and unfocused load of fan service that Smith has yet unleashed on his remaining hardcore audience.‐ RogerEbert.com
Read More | Posted Oct 16, 2019
3.5/4 82% In My Room (2018) One of the main pleasures of watching In My Room comes from feeling your way around, enjoying the ambient sound design, and making your own thematic connections.‐ RogerEbert.com
Read More | Posted Oct 11, 2019
2.5/4 73% War (2019) A star vehicle that's too weird to be dismissed, and too plodding to completely work.‐ RogerEbert.com
Read More | Posted Oct 4, 2019
33% The Climbers (2019) Impressive sound design, which makes every carabiner clink and boulder impact seem monumental, and Lee's skilled use of close-up photography (combined with fast-cut montage editing) make The Climbers worth seeing on a big screen.‐ TheWrap
Read More | Posted Oct 1, 2019
3/4 78% Loro (2019) Loro feels like the work of a more mature artist.‐ RogerEbert.com
Read More | Posted Sep 20, 2019
3.5/4 87% Depraved (2019) Depraved may not take you anywhere that you haven't been before, but it might leave you with a renewed appreciation for Shelley's mythic story.‐ RogerEbert.com
Read More | Posted Sep 13, 2019
2.5/4 100% One Cut of the Dead (Kamera o tomeru na!) (2019) You have to want to invest in his characters in order for One Cut of the Dead to really take off.‐ RogerEbert.com
Read More | Posted Sep 13, 2019
1.5/4 14% Night Hunter (Nomis) (2019) Testing the limits of good taste in otherwise formulaic grimdark entertainment is one thing, but pushing against those boundaries for its own sake is just tiresome.‐ RogerEbert.com
Read More | Posted Sep 6, 2019
16% The Fanatic (2019) The Fanatic stinks because Durst doesn't really care about whatever it is that's motivating Moose.‐ NPR
Read More | Posted Aug 29, 2019
1/4 41% Tone-Deaf (2019) A monotonous horror-comedy.‐ RogerEbert.com
Read More | Posted Aug 23, 2019
1/4 39% Angel Has Fallen (2019) If this type of no-brow entertainment is your thing, you may find something to like in Angel Has Fallen but that doesn't mean you need what these guys are reselling.‐ RogerEbert.com
Read More | Posted Aug 22, 2019
1.5/4 36% The Divine Fury (2019) More care was seemingly put into the lighting than the scripting of scenes.‐ RogerEbert.com
Read More | Posted Aug 16, 2019
2/4 86% Dying to Survive (2019) I'd have an easier time accepting the trite, asked-and-answered conclusions that director Muye Wen and co-writers Jianu Han and Wei Zhong lead viewers to if they were more adept at tugging at viewers' heart-strings.‐ RogerEbert.com
Read More | Posted Aug 9, 2019
2/4 95% The Flower (La flor) (2019) A theoretically interesting, but consistently unrewarding formal experiment.‐ RogerEbert.com
Read More | Posted Aug 2, 2019