Sheila O'Malley Movie Reviews & Previews - Rotten Tomatoes

Sheila O'Malley

Sheila O'Malley
Tomatometer-approved critic

Movie Reviews Only

Rating T-Meter Title | Year Review
3/4 100% On the Record (2020) Beyond laying out the accusations against Simmons, On the Record is a deeply mournful portrait of lost potential, of a woman run out of a business that she not only loved, but helped create.‐ RogerEbert.com
Read More | Posted May 28, 2020
3/4 73% AKA Jane Roe (2020) AKA Jane Roe brings us into the battles behind the scenes, and allows us to get to know the woman at the center of it.‐ RogerEbert.com
Read More | Posted May 22, 2020
4/4 92% The Vast of Night (2020) An astonishing first feature. It works like gangbusters, start to finish.‐ RogerEbert.com
Read More | Posted May 14, 2020
1.5/4 74% Already Tomorrow In Hong Kong (2016) The stakes are not high enough for either character and the two-people-at-a-fork-in-the-road story never comes to life, a practically fatal flaw.‐ RogerEbert.com
Read More | Posted May 7, 2020
3/4 67% The Flood (2019) The back-and-forth structure is sometimes monotonous, and Wendy's problems take too much focus, but there are specifics that linger.‐ RogerEbert.com
Read More | Posted May 1, 2020
1.5/4 41% Endings, Beginnings (2020) It's not actually clear what is appealing and/or interesting about any of these people.‐ RogerEbert.com
Read More | Posted Apr 17, 2020
3.5/4 80% Tigertail (2020) Yang's script is thoughtful and precise -- every character gets to be three-dimensional.‐ RogerEbert.com
Read More | Posted Apr 10, 2020
1.5/4 69% Almost Love (2020) Almost Love has problems other than being jarringly out of date with How We Live Now.‐ RogerEbert.com
Read More | Posted Apr 3, 2020
3/4 91% Banana Split (2020) An entertaining and often insightful look at female friendship during a particularly strange time.‐ RogerEbert.com
Read More | Posted Mar 27, 2020
2/4 69% Stargirl (2020) The best thing about Stargirl is that Big Star's yearning ode to adolescence 'Thirteen' is played in its entirety not once, but twice.‐ RogerEbert.com
Read More | Posted Mar 13, 2020
3/4 84% The Way Back (2020) I couldn't help but notice the goosebumps covering my arms when the music swelled.‐ RogerEbert.com
Read More | Posted Mar 6, 2020
3.5/4 96% Saint Frances (2020) It's truly refreshing to watch a film where nobody has anything figured out, where life proceeds messily and imperfectly. Saint Frances is unpredictable in a very human way.‐ RogerEbert.com
Read More | Posted Feb 28, 2020
3.5/4 86% Emma. (2020) Autumn de Wilde's approach to this tale of frenzied and complicated social activity is both elegant and comedic.‐ RogerEbert.com
Read More | Posted Feb 21, 2020
3/4 77% Buffaloed (2020) Buffaloed churns with barely-controlled chaos in its best sequences.‐ RogerEbert.com
Read More | Posted Feb 14, 2020
3/4 85% I Was at Home, But... (Ich war zuhause, aber...) (2020) Every element -- camera placement, music, blocking, sound design -- is so deliberate that it pulls you into its vortex, and it makes you submit to its severe rhythms.‐ RogerEbert.com
Read More | Posted Feb 14, 2020
4/4 91% The Assistant (2020) The Assistant, a very good film, is especially good on power dynamics.‐ RogerEbert.com
Read More | Posted Jan 31, 2020
6/10 70% Bombshell (2019) Deep at points but paper-thin at others, the film skips over questions of complicity, and pulls some of its punches, especially politically. But it's still an engaging look at life behind the scenes of one of the weirdest workplaces in existence...‐ Film Comment Magazine
Read More | Posted Jan 13, 2020
3/4 85% Les Misérables (2020) A gripping experience.‐ RogerEbert.com
Read More | Posted Jan 10, 2020
2.5/4 21% Cats (2019) I enjoyed the film for what it is. It's London's Got Talent for the feline set.‐ RogerEbert.com
Read More | Posted Dec 19, 2019
4/4 92% Uncut Gems (2019) It's excruciating and exhilarating.‐ RogerEbert.com
Read More | Posted Dec 9, 2019
3/4 96% The Disappearance of My Mother (2019) Benedetta Barzini may want to disappear, but her son will not let her.‐ RogerEbert.com
Read More | Posted Dec 6, 2019
3.5/4 82% Queen & Slim (2019) I responded strongly to the film's sense of scope and scale. The 'rhetoric' of Queen & Slim reverberates with anger and love and mourning.‐ RogerEbert.com
Read More | Posted Nov 27, 2019
3.5/4 94% Recorder: The Marion Stokes Project (2019) A character study of a fascinating news-junkie with a mission.‐ RogerEbert.com
Read More | Posted Nov 15, 2019
3.5/4 94% Honey Boy (2019) Honey Boy adds to the impression that LaBeouf is moving into very interesting territory as an actor, territory uniquely his own.‐ RogerEbert.com
Read More | Posted Nov 8, 2019
2.5/4 68% Adopt a Highway (2019) Holding it all together is Hawke's performance, weighted down with the heaviness of injustice.‐ RogerEbert.com
Read More | Posted Nov 1, 2019
3/4 80% Greener Grass (2019) Like all good satires, Greener Grass trucks in exaggeration.‐ RogerEbert.com
Read More | Posted Oct 18, 2019
1.5/4 4% Mary (2019) Mary's concept -- and it's a good one! -- doesn't blossom into the truly spooky, the truly eerie, even though it's given countless chances to do so.‐ RogerEbert.com
Read More | Posted Oct 11, 2019
2/4 19% Semper Fi (2019) The interesting characters and all of their conflicts are all right there onscreen -- the cast is excellent -- but the 'prison break' is such a far-fetched idea it's difficult to invest in it.‐ RogerEbert.com
Read More | Posted Oct 4, 2019
3/4 92% Monos (2019) Monos is elevated into epic territory by the superb work of cinematographer Jasper Wolf.‐ RogerEbert.com
Read More | Posted Sep 13, 2019
4/4 100% Chained for Life (2019) A meaningful, moving, and often quite funny interrogation of beauty in the movies.‐ RogerEbert.com
Read More | Posted Sep 11, 2019
2/4 61% Satanic Panic (2019) It doesn't push any envelopes, and pushing envelopes is what it's all about.‐ RogerEbert.com
Read More | Posted Sep 6, 2019
2/4 42% Don't Let Go (Relive) (2019) The central relationship drives the film forward, but in its focus on 'whodunit and why,' Don't Let Go fails to pack the punch it should.‐ RogerEbert.com
Read More | Posted Aug 30, 2019
3/4 96% Jawline (2019) Jawline works gently, slowly, presenting its subject and sub-culture with not just affection but sympathy, a sympathy very close to tenderness.‐ RogerEbert.com
Read More | Posted Aug 23, 2019
3.5/4 89% Blinded by the Light (2019) Blinded by the Light at its very best, captures the experience of being a fan, the pure exhilaration of it, and the sense of your vision opening out to vistas beyond your horizon.‐ RogerEbert.com
Read More | Posted Aug 16, 2019
3/4 81% Light of My life (2019) The pace sometimes drags, although I got drawn into the film's slow patient build.‐ RogerEbert.com
Read More | Posted Aug 9, 2019
2.5/4 86% The Nightingale (2019) While The Nightingale is obviously a labor of -- if not love, then rage -- for Kent, it left me cold, even with the two wonderful performances at its center from Aisling Franciosi and Baykali Ganambarr.‐ RogerEbert.com
Read More | Posted Aug 2, 2019
3/4 64% The Mountain (2019) The Mountain, with its long stretches of quiet, bleak subject matter, and Alverson's staunch refusal to let us in, or fill in the blanks, creates a genuinely unnerving mood.‐ RogerEbert.com
Read More | Posted Jul 26, 2019
3/4 62% Lying and Stealing (2019) A mostly satisfying entry in the art heist genre.‐ RogerEbert.com
Read More | Posted Jul 12, 2019
2.5/4 80% Marianne & Leonard: Words of Love (2019) Marianne and Leonard turns out to be a rather run-of-the-mill documentary about Cohen's journey, taking us down well-documented paths.‐ RogerEbert.com
Read More | Posted Jul 5, 2019
2.5/4 63% Yesterday (2019) Yesterday wants to be a feel-good movie, and much of it did make me feel good.‐ RogerEbert.com
Read More | Posted Jun 27, 2019
2/4 67% The Quiet One (2019) The Quiet One is Wyman's journey, and because of that the documentary is intimate and personal, but by the same token it is also highly selective in what it shows and acknowledges.‐ RogerEbert.com
Read More | Posted Jun 21, 2019
92% Rolling Thunder Revue: A Bob Dylan Story By Martin Scorsese (2019) The astonishing concert footage in Rolling Thunder Revue brings moonlight into the chamber. Crucially, Scorsese allows the performances to play out in full, with no interruptions or premature fade-outs.‐ Film Comment Magazine
Read More | Posted Jun 17, 2019
2.5/4 31% Being Frank (2019) The setup (script by Glen Lakin) is full of wacko screwball potential, some of which is mined, some of which misses the boat.‐ RogerEbert.com
Read More | Posted Jun 14, 2019
3.5/4 80% Late Night (2019) An earnest and funny comedy, with very sharp teeth.‐ RogerEbert.com
Read More | Posted Jun 7, 2019
2/4 73% The Perfection (2019) Your tolerance for this sort of thing may vary.‐ RogerEbert.com
Read More | Posted May 24, 2019
2/4 61% Trial by Fire (2019) The film plods at points, trudging along, and there are a few misguided narrative 'devices' tacked on.‐ RogerEbert.com
Read More | Posted May 17, 2019
2.5/4 50% Tolkien (2019) Tolkien approaches its subject with maybe a little bit too much reverence, but shows an interest in the development of Tolkien's ideas, his passion for philology (not the most cinematic of subjects), his love of myths and legends.‐ RogerEbert.com
Read More | Posted May 10, 2019
3/4 94% Ask Dr. Ruth (2019) The film does a great job of contextualizing the phenom of Dr. Ruth.‐ RogerEbert.com
Read More | Posted May 3, 2019
3.5/4 55% Extremely Wicked, Shockingly Evil and Vile (2019) The film itself gaslights us, and this is where Berlinger and Zac Efron-an inspired choice-are powerful co-creators.‐ RogerEbert.com
Read More | Posted May 3, 2019
3.5/4 91% Wild Nights with Emily (2019) It's respectful, but it's also alive. It's serious, but it's also tongue-in-cheek. Olnek's approach gives Emily room to breathe. At last.‐ RogerEbert.com
Read More | Posted Apr 29, 2019