Paula Vázquez Prieto Movie Reviews & Previews - Rotten Tomatoes

Paula Vázquez Prieto

Paula Vázquez Prieto
Paula Vázquez Prieto's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): La Nación (Argentina)

Movie Reviews Only

Rating T-Meter Title | Year Review
No Score Yet Cosas De Hombres (2020) The humor is confined to an exercise of repeating outdated formulas. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jun 12, 2020
100% Young Hunter (El cazador) (2020) An unsettling and disturbing movie... that makes the gaze the key in every ethical reflection. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted May 28, 2020
No Score Yet Las Furias (2020) [Director] Tamae Garateguy explores the limits of a popular genre. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted May 14, 2020
29% White As Snow (Blanche comme neige) (2019) [Isabelle] Huppert does what she knows best... but it's not enough... and she is lost in a movie that is never at the level of her talent. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted May 14, 2020
78% The Hero (2017) With more emotions than the exegetes of Westerns would have preferred, [director Brett] Haley achieves an honest and luminous movie. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Apr 3, 2020
90% Dark Waters (2019) Haynes gives us a movie of horrors and monsters, a lot more dangerous and presentable than those that live in darkness. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Mar 12, 2020
61% The Call of the Wild (2020) His encounters with brutal men and fraternal animals always have an air of predictability rather than surprise and danger, as is that journey was protected by the commands of a video game. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Feb 27, 2020
91% The Invisible Man (2020) The movie clenches the imaginary of the abused woman between the memory of 70s revenge stories, the analog esthetic of 90s thrillers, and a new search, focused on Elizabeth Moss' extraordinary expressions. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Feb 27, 2020
70% Bombshell (2019) A creative and effective movie that owes much to its extraordinary actresses. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Feb 20, 2020
65% Gretel & Hansel (2020) Its appeal persists thanks to the strength of the story seen from a female perspective. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Feb 20, 2020
95% End of the Century (2019) In his debut film, Lucio Castro... explores with notable subtleties the tensions between desire, fears, and the time that never comes back. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Feb 6, 2020
94% Little Women (2019) Little Women demands viewers to be active participants in the story... And does it with the subtlety of artists who are capable of reinventing a world without betraying it. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jan 30, 2020
4% Mary (2019) Director Michael Goi turns this savage cruise that promised to be more interesting into a boring excursion. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jan 23, 2020
98% Working Woman (2019) Everything is achieved with limited resources, exploring the vitality of empty spaces where there are no answers, and turning silence into the best ally for any reflection. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jan 9, 2020
72% The Aeronauts (2019) Felicity Jones brings charisma and sympathy to her character, her tensions with Eddie Redmayne recreate the tested chemistry that they shared in The Theory of Everything. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jan 6, 2020
76% Richard Jewell (2019) Heroism in Clint Eastwood films is always ambiguous and disconnected from the epic. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jan 2, 2020
100% Slut in a Good Way (Charlotte a du fun) (2019) It's true that the movie never strays too far from the coming of age formula, but it achieves a certain vitality and novelty in the performances. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Dec 19, 2019
88% Ready or Not (2019) Heir to De Palma's best horror. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Dec 6, 2019
46% Last Christmas (2019) Paul Feig films the romantic comedy clichés with grace. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Dec 6, 2019
92% In Safe Hands (Pupille) (2018) In the selection of a balance to the stories that intersect, Herry finds the exact place for each of her characters. [Full review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Dec 2, 2019
52% Charlie's Angels (2019) The film is indebted to the demands of new female narratives and, at the same time, true to that carefree spirit from the original. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Dec 2, 2019
No Score Yet Pikovaya dama (The Queen of Spades) (2013) Despite its limitations, the movie directed by Aleksandr Domogarov feels quite unsettling when it steps away from the strict guide to achieve the scares. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 21, 2019
84% Downton Abbey (2019) The series was less about affirming a reality than about longing for an ideal. This coda imagined by Fellowes is honest with its own evocation. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 21, 2019
87% Synonyms (Synonymes) (2019) With an unpredictable humor and a camera that dismantles that desired and chaotic city in all its contradictions, [Nadav] Lapid achieves a lucid and unconventional portrait of a territory that escapes maps and battle hymns. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 14, 2019
No Score Yet Cartero (2019) The character of Sánzhez gives the movie depth and precision. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 7, 2019
100% Amanda (2018) What Mikhaël Hers films is not the [terrorist act] but its effects, on the survivors, the city's dynamic, and the experience of time. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 31, 2019
88% Brittany Runs a Marathon (2019) The movie manages to be faithful to its character, and treat it with tenderness and empathy. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 24, 2019
27% Rambo: Last Blood (2019) What is left in this contemporary conflict is a parody of itself, which is what works best. A gory and iconoclastic violence that mocks its own people and others. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 10, 2019
78% Scary Stories to Tell in the Dark (2019) Director André Øvredal achieves something different for a story that we already know. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Sep 26, 2019
24% The Goldfinch (2019) The Goldfinch can be thought of as an exercise of what not to do in an adaptation. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Sep 19, 2019
No Score Yet Witch (Bruja) (2019) The movie is trapped in a Manichaean structure, with plot holes and unnecessary procedural detours. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Sep 12, 2019
100% The Silence of Others (2019) The movie exposes in a stark manner the testimonies of the survivors. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Sep 5, 2019
71% Teen Spirit (2019) Minghella's merit is his ingenious way of giving life to the interior world of his character. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Sep 5, 2019
No Score Yet Margen de error (2019) The humor is exceptionally combined with that self-awareness of the passing of time. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Aug 29, 2019
38% A Man in a Hurry (Un homme pressé) (2018) Director Hervé Mimran relies on the notable talent of his protagonist to take full advantage of it. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Aug 22, 2019
36% Anna (2019) The cleverness of the script and Anna's choreographic dexterity in every battle compensate for her lack of complexity. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Aug 15, 2019
73% The Angry Birds Movie 2 (2019) The universe of this second installment returns to the primacy of the visual, it achieves various entertaining scenes, and exploits Sony's music catalog with a calculated equilibrium between humor and nostalgia. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Aug 15, 2019
36% Poms (2019) Diane Keaton's dark humor and Jacki Weaver's extraordinary gracefulness are the best reward. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Aug 8, 2019
No Score Yet La Casa de Wannsee (2019) [The film] makes us reconsider if we can understand who we are without knowing where we come from. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Aug 2, 2019
80% Holy Beasts (La Fiera y la Fiesta) (2019) Holy Beasts is constructed like a bizarre puzzle at the border between the melancholic and the absurd. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jul 19, 2019
92% The Blonde One (2019) The Blond One is Marco Berger's most complex movie... the one that best represents that playful narrative full of secrets that once discovered, they can never be put away. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jul 19, 2019
67% The Emperor of Paris (L'Empereur de Paris) (2018) Vincent Cassel manages to bring his character to life with his mere presence and look. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jun 25, 2019
22% Men in Black International (2019) Tessa Thompson and Chris Hemsworth have proven chemistry and the film has great threads for a romantic comedy. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jun 14, 2019
100% An Impossible Love (Un amour impossible) (2018) Corsini has not only made his best film, but also the most risky in order to offer a look at the past and the present and the complicated ties that define that union. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jun 13, 2019
75% Sink or Swim (Le grand bain) (2019) Sink or Swim succeeds due to its melancholy and secret dose of bitterness. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jun 9, 2019
42% Godzilla: King of the Monsters (2019) One of the notable things about this sequel is its impressive performances. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jun 3, 2019
57% Brightburn (2019) Each break of the human limits that Brandon uncovers confirms the ferment of a narrative mechanics that reduces evil to an imposed state. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted May 26, 2019
27% UglyDolls (2019) UglyDolls works in its naïve logic and lack of pretensions. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted May 20, 2019
83% The Weasel's Tale (El cuento de las comadrejas) (2019) It is that strange game between horror and devotion, which links cinema and eternal life, that The Weasel's Tale skillfully captures in its first scenes. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted May 20, 2019
No Score Yet Boni Bonita (2019) An intimate film. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted May 11, 2019