Jorge Loser Movie Reviews & Previews - Rotten Tomatoes

Jorge Loser

Jorge Loser
Jorge Loser's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Espinof

Movie Reviews Only

Rating T-Meter Title | Year Review
4/5 90% Memories of Murder (2003) Bong Joon-ho manages to reflect the change in the social paradigm by drawing the figure of the murderer as a symptom of the modern industrial model. [Full Review in Spanish] ‐ Espinof
Read More | Posted Feb 20, 2020
3.5/5 100% Tammy and the T-Rex: Gore Cut (1994) 'Tammy and the T-Rex' is one of those films that you have to see to believe, with friends and a barrel of beer, and that makes you reconsider the Kamikaze humor of director Stewart Raffill. [Full Review in Spanish] ‐ Espinof
Read More | Posted Feb 20, 2020
2.5/5 73% Harriet (2019) Entertaining and simple to digest, but not interesting or complex enough to stand out. [Full review in Spanish] ‐ Espinof
Read More | Posted Jan 30, 2020
4/5 88% The Wild Goose Lake (Nan fang che zhan de ju hui) (2020) Vibrant scenes of violence and black humor that makes the film stand out from so many hollow experiments. [Full review in Spanish] ‐ Espinof
Read More | Posted Jan 29, 2020
4/5 89% And Then We Danced (2020) A must-see movie. [Full review in Spanish]‐ Espinof
Read More | Posted Jan 29, 2020
2.5/5 90% The Lighthouse (2019) A beautiful extravagance that's weighed down by its excess. [Full Review in Spanish]‐ Espinof
Read More | Posted Jan 16, 2020
2.5/5 82% Judy (2019) Renée Zellweger gives an exceptional performance in a film that is unfortunately too erratic to fully serve as a definitive biopic. [Full Review in Spanish]‐ Espinof
Read More | Posted Jan 15, 2020
3.5/5 No Score Yet El silencio del pantano (2020) An extraordinary and raw thriller with an exceptional performance from Pedro Alonso. [Full Review in Spanish]‐ Espinof
Read More | Posted Jan 3, 2020
3/5 32% The Current War (2017) The Current War is an experience evocative of the most inventive decade in history. [Full Review in Spanish]‐ Espinof
Read More | Posted Dec 30, 2019
4.5/5 52% Star Wars: The Rise of Skywalker (2019) Abrams is a purely visual narrator and works with functionality and integration, and the result is classicist and dynamic. [Full Review in Spanish]‐ Espinof
Read More | Posted Dec 30, 2019
3.5/5 96% The Irishman (2019) It is definitely a Scorsese type A, but the lowest film in that category. [Full review in Spanish] ‐ Espinof
Read More | Posted Dec 20, 2019
3/5 No Score Yet La rebelión de los sintes (2019) It is too formidable to not be considered. [Full review in Spanish] ‐ Espinof
Read More | Posted Dec 19, 2019
3.5/5 76% Richard Jewell (2019) A conclusion that hits the right emotional notes. [Full review in Spanish]‐ Espinof
Read More | Posted Dec 19, 2019
3.5/5 20% Cats (2019) 'Cats' is one of those expensive $ 100 million products that become cult pieces for the least expected reasons. [Full review in Spanish] ‐ Espinof
Read More | Posted Dec 19, 2019
2.5/5 88% The Good Girls (Las niñas bien) (2018) A feminist look, but without compassion. [Full Review in Spanish]‐ Espinof
Read More | Posted Nov 4, 2019
2.5/5 48% Eli (2019) Despite some good scares, Eli winds up being more monotone than convincing. [Full Review in Spanish]‐ Espinof
Read More | Posted Oct 23, 2019
3/5 52% Wounds (2019) Wounds holds interest by creating a truly oppressive experience. [Full Review in Spanish]‐ Espinof
Read More | Posted Oct 21, 2019
100% One Cut of the Dead (Kamera o tomeru na!) (2019) A free-falling experiment with great ideas that could have used certain narrative restraints. [Full Review in Spanish]‐ Espinof
Read More | Posted Sep 19, 2019
2.5/5 27% Rambo: Last Blood (2019) Rambo: Last Blood works best as gory 'Home Alone' than it does when trying to reflect on trauma. [Full Review in Spanish]‐ Espinof
Read More | Posted Sep 19, 2019
96% The Beatles: Eight Days a Week - The Touring Years (2016) 'Eight Days a Week' draws people's attention by the amount of recordings, about their years of shows and tours, that has been conveniently restored and shine as never before in an admirable and pure editing work. [Full Review in Spanish]‐ Espinof
Read More | Posted Aug 20, 2019
91% Elle (2016) The biggest virtue of the director Paul Verhoeven is to show complex characters, that are humans and 'grays', whose reactions raise the thriller peels, so we can see the thin sarcasm of their contradictions. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 20, 2019
82% Captain Fantastic (2016) The character composition helps to convert Captain Fantastic in a dark, fun, and often tender exam about fatherhood and its responsibilities. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 20, 2019
51% Hardcore Henry (2016) The power of its kinetic energy and its meticulous bloody choreography from the first to the last minute cannot be ignored. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 20, 2019
86% A Monster Calls (2017) The biggest problem of 'A monster Calls' is its lack of subtlety. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 20, 2019
83% Sausage Party (2016) Its jokes raise smiles and their journey through the more corrosive side of humor makes it easy for us to buy the idea, but watch out, the expiration date is not very far. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 20, 2019
No Score Yet Dr. Strange (1978) It is a cheap movie, it shows it in details as basic as its unconvincing recreation of New York, but it has a special charm and is able to make look again the superhero cinema with naivety. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 20, 2019
89% Doctor Strange (2016) Dr. Strange 'is a very well written and structured film that proposes a new world, different from the rest of heroes ones. [Full Review in Spanish]‐ Espinof
Read More | Posted Aug 20, 2019
No Score Yet The Halloween Tree (1993) The set of visual details hidden in the beautiful backgrounds... and the parade of textures to make the darkness a character elevate this children's movie to a small masterpiece. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 20, 2019
84% Oasis: Supersonic (2016) 'Oasis: Supersonic' is not the most honest movie about the group, but definitely, perhaps, the best documentary about a rock band to this date. [Full Review in Spanish]‐ Espinof
Read More | Posted Aug 20, 2019
92% Eat That Question: Frank Zappa in His Own Words (2016) A complex but inevitable contradiction, when it comes to analyzing a figure with so many arcs, a genius of impenetrable seriousness, capable of becoming an hilarious Dadaist. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 20, 2019
76% Idiocracy (2006) A movie not too bright, not funny, but that guessed right and predicted the incredible... The Apocalypse is now. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 20, 2019
85% Sully (2016) It pays tribute to the real character and his legacy without leaving the docudrama perspective aside. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 20, 2019
94% Arrival (2016) Implausibilities aside, the development of the bulk of the plot is an exciting study of the language of extraterrestrial symbols that they draw with their squid ink from outer space. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 20, 2019
74% Fantastic Beasts and Where to Find Them (2016) The film triumphs when it focuses on the nourished and surprising naturalistic adventure. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 19, 2019
94% Gimme Danger (2016) Other highly appreciable dynamic elements are the photographic inserts, archival material, classic cinema and educational reels from the fifties used in a montage. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 19, 2019
60% Allied (2016) The director maintains the balance of melodrama and suspense, with some predictability but remembering the Hitchcock script games. [Full Review in Spanish]‐ Espinof
Read More | Posted Aug 19, 2019
95% The Handmaiden (Ah-ga-ssi) (2016) As we discover its twists and turns, the movie proves to be a much less interesting story than it seemed to be in its wonderful first act. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 19, 2019
96% Moana (2016) The absence of unnecessary romance, the limitation of the comic resource, the claim of the self-sufficient woman as an exemplary figure are necessary variations to the dogma. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 19, 2019
53% Genius (2016) 'Genius' looks like a half-baked bread, lacking a solid emotional hook. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 19, 2019
85% Hacksaw Ridge (2016) Gibson intelligently uses the story to align the beliefs of his protagonist with his own beliefs and let his speech move away from the revenge that his detractors would expect. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 19, 2019
60% Circle (2015) Superficial and easy, it simplifies complex social dilemmas at the elementary level and its study of human cruelty is as apathetic and inefficient as its entertainment value. [Full Review in Spanish]‐ Espinof
Read More | Posted Aug 19, 2019
74% Nocturnal Animals (2016) An emotional torture thoroughly broken down into millimeter elements to be reconstructed mathematically in a sordid tale of revenge. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 19, 2019
84% Rogue One: A Star Wars Story (2016) One of the last takes surprises by its bravery, but does not remove the sensation of having seen an adulterated imitation of the 'Return of the Jedi's' climax. [Full Review in Spanish]‐ Espinof
Read More | Posted Aug 19, 2019
97% Hell or High Water (2016) The great achievement here is its decadent atmosphere about its anti-corporative attitude, a depressing situation that can be the push that the neo-Western needs to return the genre to its true glory. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 19, 2019
17% Mine (2017) Both the narrative exposition, an inner drama that is reflected on the outside, and the cinematographic tools offer an intense, reflective and conscious perspective on the condition of the man trapped in himself. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 19, 2019
63% Desierto (2016) A simple movie-experience, sometimes obvious, but that works. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 19, 2019
38% The 9th Life of Louis Drax (2016) The aesthetics of a television melodrama, a pastiche that wants to be more ingenious than it really can. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 19, 2019
83% Silence (2017) It raises a discussion about the value of religion for the human species, although the experience of almost three hours of mono-circumspection demands too much of the viewer. [Full Review in Spanish] ‐ Espinof
Read More | Posted Aug 16, 2019
91% La La Land (2016) The director replaces the dances with a sense of rhythm, applying musical mathematics with precision to the cinematographic narrative, its images, the dialogues, carry a hidden musical compass. [Full Review in Spanish]‐ Espinof
Read More | Posted Aug 16, 2019
No Score Yet Hostage to the Devil (2016) The fascination that gives us the possibility that everything is real, or even as a very well-documented "mockumentary", it is perfectly enjoyable. ‐ Espinof
Read More | Posted Aug 16, 2019