Jordi Costa Movie Reviews & Previews - Rotten Tomatoes

Jordi Costa

Jordi Costa
Jordi Costa's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): El Pais (Spain), Fotogramas

Movie Reviews Only

Rating T-Meter Title | Year Review
4/5 82% Avatar (2009) This movie is for anyone who wants to go on a journey far, far away. [Full Review in Spanish]‐ Fotogramas
Read More | Posted Feb 21, 2020
93% Us (2019) Although it is rooted in present-day American sentiment, the powerful allegories presented in this film leave a resonance that is truly lasting. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 10, 2019
77% Harry Potter and the Deathly Hallows - Part 1 (2010) The characters go through the plot as desperate avatars of an esoteric video game that hopefully transcends in legitimate epic in its final outcome. [Full Review in Spanish]‐ Fotogramas
Read More | Posted Nov 30, 2019
3/5 52% Disney's A Christmas Carol (2009) Despite these advances in motion capture, A Christmas Carol still has some deficiencies. [Full Review in Spanish]‐ Fotogramas
Read More | Posted Nov 6, 2019
97% The Reports on Sarah and Saleem (2019) Muayad Alayan takes a political context and intertwines it well with this story in which every move can raise suspicion. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 16, 2019
No Score Yet Dulcinea (2019) Redemption story with a fantastic concept, Dulcinea shows a desire for difference, but the story is not cooked enough. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 16, 2019
83% Four Hands (Die Vierhändige) (2018) A film that fails to live up to the considerable strength of some moments. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 16, 2019
No Score Yet Aute Retrato (2019) The documentary has the ability to convert those who weren't already fans. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 16, 2019
85% Untouchable (2019) A chronicle on the genesis of the Me Too movement would have been more stimulating than the millionth portrait of a monster. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 11, 2019
96% Ray & Liz (2019) The film is approached with the look of a poet. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 11, 2019
76% Hotel Mumbai (2019) Hotel Bombay, in the end, does not talk about terrorism, nor about survival, but about the selfless professionalism of the members of a tourist complex built on the dogma that the client is God and Muhammad is not his prophet. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 11, 2019
39% Angel Has Fallen (2019) The drone sequence in the film is the only dose of originality in the whole thing. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 31, 2019
36% Anna (2019) This is like a strenuously long episode of 'Alias.' [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 31, 2019
95% Hotel by the River (2019) The pleasure is in the particularities of each delivery in that game variations on the narcissism, solitude and love and the loss that composes the filmography of Hong Sangsoo. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 31, 2019
94% The Wild Pear Tree (Ahlat agaci) (2019) A film that knows perfectly that, if it wants to mimic the specific weight of a good novel, its ultimate ambition has to be to articulate a worldview from the organic construction of a subjectivity. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 14, 2019
60% The Secret Life of Pets 2 (2019) A film aware that its mission is to offer ephemeral entertainment and not so much to tell a story that the public will remember when they leave the room. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 9, 2019
No Score Yet Lola & Her Brothers (Lola et ses frères) (2019) Lola and her brothers is a movie that loves characters, but does not look at them as people, but as functional figures in a script that talks about everyday narcissism. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 9, 2019
85% The Dead and the Others (Chuva E Cantoria Na Aldeia Dos Mortos) (2018) First film spoken in the Krahô dialect, 'The Dead and the Others' builds its fiction from the experiences and memory of its protagonists. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Aug 9, 2019
100% Hormigas (El despertar de las hormigas) (2019) The film might overdo the symbolic use of the ants, but it shows a filmmaker with great cinematic look and great ability from actress Daniela Valenciano to turn every gesture into a powerful form of resistance. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 8, 2019
71% Teen Spirit (2019) Fanning, Buric, and Hall are the three small luxuries that arise from this forgettable film. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 8, 2019
98% Rojo (2019) The way the story dilates the fit of the pieces of its narrative puzzle sow false clues that amplify the strength of that final look on a world where decency has been kidnapped. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 8, 2019
93% The Eyes of Orson Welles (2018) The Eyes of Orson Welles is a labor of love that sweeps various levels of dust off of cinemaphilia. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 30, 2019
69% Cold Pursuit (2019) A charismatic action film. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 29, 2019
97% Booksmart (2019) The film works to perfection as a wild comedy. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 29, 2019
83% Midsommar (2019) Ari Aster is drunk on his own self-importance. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 29, 2019
80% 303 (2018) The spirit of the film may be somewhat out of time. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 29, 2019
89% Genesis (Genèse) (2019) Philippe Lesange is an essential director, completely indispensable. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 19, 2019
84% The Hole in the Ground (2019) Lee Cronin does not subvert the genre, but manages to achieve a clear personality through style. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 19, 2019
53% The Lion King (2019) A showy, disoriented, and redundant movie that perhaps Walt Disney would have hated. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 19, 2019
No Score Yet Life Without Sara Amat (La vida sense la Sara Amat) (2019) Life Without Sara Amat is the delicate debut from the actress Laura Jo - a movie that seems to be fascinated with Carla Simón's Estiu 1993, but that manages to find its own voice, free of mimicry. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 16, 2019
100% An Impossible Love (Un amour impossible) (2018) The way in which Virginie Efira holds the erosion of time on the screen becomes the great reservoir of genius under the braid of unfortunate narrative decisions. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 16, 2019
20% Serenity (2019) Serenity contains a narrative triple somersault that justifies the previously dissuasive elements - an idea that transfers this exercise in neo-noir to a completely different genre. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 15, 2019
92% Wild Rose (2019) Jessie Buckley radiates more authenticity than the movie in which she's trapped. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 15, 2019
86% The Miseducation of Cameron Post (2018) The film applies humor from a sophisticated and puzzled look on this microcosm that are gay conversion religious camps. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 5, 2019
99% Varda by Agnès (2019) This is a generous and selective journey through an oeuvre that started in the mid-50s. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 5, 2019
63% Child's Play (2019) The disturbing vocal performance of Mark Hamill and the stylized photography work of Brendan Uegama contribute the unhealthy atmosphere of a work traversed, from beginning to end, by a twisted black humor. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 3, 2019
73% Mothers' Instinct (Duelles) (2018) Its dramatic play works despite being below its very illustrious referent. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 3, 2019
50% A Dog's Journey (2019) The film is aimed at those who turn their long-suffering pets into emotional prosthetics, characterized by unconditional surrender to their masters. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 2, 2019
64% Our Time (Nuestro tiempo) (2019) Carlos Reygadas poses with his triangle a toxic duel between masculinities around the female figure. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 23, 2019
100% Hunting Season (Temporada de Caza) (2017) Despite there being something really generic about the script, Garagiola knows that the best way to portray the complexities of the story is through her actors. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 21, 2019
81% This is not Berlin (2019) Hari Sama perfectly captures the rabid and seductive atmosphere by following the characters from glare to glare. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Jun 21, 2019
81% Mid90s (2018) A convalescence with transparent dramatic development and a skate video turned into a singular style exercise reveals a potential first rate talent. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 21, 2019
86% The Mystery of Henri Pick (Le mystère Henri Pick) (2019) The Bezançon film is committed to a lightness that does not want to draw blood, although its plot sets two targets to launch its critical darts. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 16, 2019
23% Men in Black International (2019) Far from committing to something original, Men in Black: International prefers to play it safe. You won't need a neuralyzer to forget this. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 16, 2019
32% Kin (2018) The elusive representation of an alien duel in an abandoned factory and the first zenithal planes show a clear unfulfilled promise. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 16, 2019
58% Close Enemies (Freres Ennemis) (2018) The film is more interested in what occurs within the protagonists rather than the political aspects. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 16, 2019
92% Sauvage / Wild (2019) A complicated portrait of a character that Genet or Pasolini would have applauded. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 14, 2019
57% Touch Me Not (2019) Inaugurates an ambitious multidisciplinary artistic project of which this cinematographic work will only be the first stone. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 7, 2019
89% The Prayer (La prière) (2018) Kahn needs to resort to external appointments to mask his lexical poverty. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 7, 2019
42% The Song of Sway Lake (2018) All in all, it is an unusual work and not without complexity, but not a marked and inconsistent indie affectation. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 7, 2019