Jon Frosch Movie Reviews & Previews - Rotten Tomatoes

Movie Reviews Only

Rating T-Meter Title | Year Review
72% The King of Staten Island (2020) The King of Staten Island is nothing if not conventional in its arc and themes, and has some of the usual Apatow aggravations, but it's winning: relaxed, generous, suffused with warmth and a surprisingly delicate sorrow.‐ Hollywood Reporter
Read More | Posted Jun 8, 2020
100% Lorelei (2020) An uneven blue-collar melodrama lifted by its leads.‐ Hollywood Reporter
Read More | Posted May 11, 2020
9% Bad Therapy (2020) Directed by William Teitler with anonymous functionality yet no trace of spark or wit, Bad Therapy seems to fancy itself très naughty but feels formatted to within an inch of its life...‐ Hollywood Reporter
Read More | Posted Apr 13, 2020
No Score Yet Shiva Baby (2020) A deftly crafted comedy of discomfort.‐ Hollywood Reporter
Read More | Posted Apr 6, 2020
100% I Carry You with Me (2020) With almost Malickian impressionistic flair and a stealthily innovative mix of fictional and nonfictional elements, I Carry You With Me pulls you past its shortcomings, building toward a hushed stunner of a conclusion.‐ Hollywood Reporter
Read More | Posted Jan 26, 2020
63% The Good Liar (2019) Square, tame and tidy as the London-area house kept by Mirren's primly elegant, creamy-complexioned septuagenarian, The Good Liar is a work of skill but little spark.‐ Hollywood Reporter
Read More | Posted Nov 7, 2019
78% My Zoe (2019) Delpy doesn't milk the story for sci-fi creepiness or dystopian thrills; rather, she aims for emotional realism - something that, thanks to her intense lead performance and sleek yet subdued direction, she mostly achieves.‐ Hollywood Reporter
Read More | Posted Sep 8, 2019
80% Giants Being Lonely (2019) Stilted writing and acting... contribute to an air of studied inscrutability that grows tiresome even over the course of a compact 80 minutes.‐ Hollywood Reporter
Read More | Posted Sep 1, 2019
95% Marriage Story (2019) Baumbach's best yet.‐ Hollywood Reporter
Read More | Posted Aug 29, 2019
61% Matthias & Maxime (2019) Dolan... returns to his native Quebec for Matthias & Maxime, a dramedy of repressed homosexual desire. If only it were a return to form.‐ Hollywood Reporter
Read More | Posted May 22, 2019
100% An Easy Girl (Un fille facile) (2019) A relaxed, warmly sensual coming-of-age drama so steeped in ripe South of France flavor - sun, sea, lots of skin and a bit of bling - that you practically want to eat it by the spoonful.‐ Hollywood Reporter
Read More | Posted May 21, 2019
90% Bull (2020) A poignantly restrained feature debut.‐ Hollywood Reporter
Read More | Posted May 15, 2019
89% Plus One (2019) More than gets by on the strength of its fundamentals: leads with crackling chemistry, crisper-than-average dialogue and a pair of directors who know how to stay out of the way.‐ Hollywood Reporter
Read More | Posted Apr 30, 2019
57% The Beach Bum (2019) I, admittedly, had a hard time getting on its woozy wavelength. But The Beach Bum is a work of undeniable commitment and craft...‐ Hollywood Reporter
Read More | Posted Mar 10, 2019
94% Premature (2020) A small but stirring coming-of-ager with a knockout lead turn.‐ Hollywood Reporter
Read More | Posted Jan 27, 2019
94% Honey Boy (2019) A sensitive, sincere portrait of a child actor's dysfunctional upbringing and its devastating fallout.‐ Hollywood Reporter
Read More | Posted Jan 25, 2019
82% Instant Family (2018) It's genial and spirited and - unsurprisingly, given its genesis - has at least a basic feel for life as it's lived, full of stings and surprises.‐ Hollywood Reporter
Read More | Posted Nov 14, 2018
84% A Simple Favor (2018) The movie never sheds its aura of talented people trying to class up cheap material.‐ Hollywood Reporter
Read More | Posted Sep 10, 2018
88% Non-Fiction (Doubles vies) (2019) A new treasure from one of France's most vital filmmakers.‐ Hollywood Reporter
Read More | Posted Aug 31, 2018
56% Tag (2018) Tag is neither bad nor good, but rather, despite its out-there story, almost numbingly ordinary: an easy, breezy action-com that's sometimes amusing but rarely funny, competent rather than inspired.‐ Hollywood Reporter
Read More | Posted Jun 14, 2018
63% Amin (2018) What felt like a graceful simplicity in Fatima too often feels like oversimplification in Amin.‐ Hollywood Reporter
Read More | Posted May 18, 2018
71% Little Tickles (Les chatouilles) (2018) A sometimes clumsy, but finally fierce and winning take on a tough topic.‐ Hollywood Reporter
Read More | Posted May 16, 2018
82% Sorry Angel (Plaire, aimer et courir vite) (2019) Vibrant and moving.‐ Hollywood Reporter
Read More | Posted May 9, 2018
58% Duck Butter (2018) Frequently silly, only fitfully involving and often surprisingly banal despite its outré premise...‐ Hollywood Reporter
Read More | Posted Apr 22, 2018
86% 6 Balloons (2018) What stays with you is [Abbi] Jacobson's grippingly understated lead turn, which promises a fruitful future screen life beyond Broad City.‐ Hollywood Reporter
Read More | Posted Mar 19, 2018
91% Love, Simon (2018) It's an expertly carved chunk of cheese. But taken on its own, limited terms, Love, Simon is also a charmer - warm, often funny and gently touching, tickling rather than pummeling your tear ducts.‐ Hollywood Reporter
Read More | Posted Feb 27, 2018
85% Game Night (2018) There are chuckles here and there, but a striking absence of belly laughs.‐ Hollywood Reporter
Read More | Posted Feb 20, 2018
100% Leave No Trace (2018) An absorbing, delicately directed and acted father-daughter drama.‐ Hollywood Reporter
Read More | Posted Jan 22, 2018
84% Nancy (2018) The movie's refusal to ingratiate is admirable, even if you end up wondering whether it was worth all the doom and gloom.‐ Hollywood Reporter
Read More | Posted Jan 21, 2018
78% The Revival (2018) But it is a worthwhile one, showcasing a pair of deeply gifted leading men and a promising new talent behind the camera.‐ Hollywood Reporter
Read More | Posted Jan 2, 2018
31% A Bad Moms Christmas (2017) A Bad Moms Christmas is louder, busier and more pandering than the original - an exhausting spectacle of skilled performers gamely mugging their way through a cash grab.‐ Hollywood Reporter
Read More | Posted Nov 1, 2017
83% Girl Flu. (2017) Girl Flu is a slight but distinctive coming-of-ager.‐ Hollywood Reporter
Read More | Posted Oct 6, 2017
86% The Wife (2018) Like a bomb ticking away toward detonation, Glenn Close commands the center of The Wife: still, formidable and impossible to look away from.‐ Hollywood Reporter
Read More | Posted Sep 16, 2017
38% A Worthy Companion (2017) A Worthy Companion gives a pulpy lesbian-obsession thriller premise the full arthouse treatment. Warning: You may miss the pulp.‐ Hollywood Reporter
Read More | Posted Sep 13, 2017
79% Brad's Status (2017) A droll and affecting male-midlife-crisis comedy.‐ Hollywood Reporter
Read More | Posted Sep 10, 2017
32% Home Again (2017) So thoroughly sanitized that it's essentially wiped of personality.‐ Hollywood Reporter
Read More | Posted Sep 5, 2017
34% The Only Living Boy in New York (2017) It's quite a feat for a movie to deploy Simon & Garfunkel's "The Only Living Boy in New York" and somehow leave you cold.‐ Hollywood Reporter
Read More | Posted Aug 5, 2017
67% Anything (2018) A touching, tentative love story.‐ Hollywood Reporter
Read More | Posted Jun 20, 2017
70% Double Lover (L'amant double) (2018) A film that's made with serious craftsmanship but never takes itself seriously.‐ Hollywood Reporter
Read More | Posted May 26, 2017
43% Golden Years (Nos années folles) (2017) The feeling and generosity of spirit that fill the frame in the director's best offerings are conspicuously missing.‐ Hollywood Reporter
Read More | Posted May 23, 2017
36% Snatched (2017) A fitfully amusing, entirely disposable mother-daughter caper that's elevated a notch by its gifted central duo and capable direction from Jonathan Levine.‐ Hollywood Reporter
Read More | Posted May 10, 2017
80% Blame (2018) The film is powered by some fine acting, as well as a current of sincere feeling that helps you forgive some of its more conspicuous flaws and limitations.‐ Hollywood Reporter
Read More | Posted Apr 23, 2017
51% The Ticket (2017) The Ticket is underwhelming in several ways, but the performance driving it is magnetic.‐ Hollywood Reporter
Read More | Posted Apr 4, 2017
63% The Zookeeper's Wife (2017) The movie's central figures and their experiences have been cleansed of complexity, embalmed in a sort of hagiographic glaze that makes even the pain look pretty.‐ Hollywood Reporter
Read More | Posted Mar 20, 2017
26% Table 19 (2017) Anna Kendrick has a recent track record of being decisively better than the movies she's in. Table 19, an innocuous but misguided mess written and directed by Jeffrey Blitz from a story by Mark and Jay Duplass, continues the trend.‐ Hollywood Reporter
Read More | Posted Mar 1, 2017
78% The Hero (2017) Sam Elliott's smoky, whiskey-soaked baritone is one of American cinema's undervalued treasures... It pretty much rescues Brett Haley's... The Hero, cutting clean through the film's pile of clichés with its gruff feeling and wry, weary wit.‐ Hollywood Reporter
Read More | Posted Jan 22, 2017
39% Why Him? (2016) Almost nothing anyone does registers as recognizably human; it's all just a pretext for yet another round of envelope-pushing outrageousness.‐ Hollywood Reporter
Read More | Posted Dec 12, 2016
20% Keeping Up With The Joneses (2016) Greg Mottola has made some fine contributions to big-screen comedy - including sweet-and-salty teen flicks Adventureland and Superbad - but his new film, Keeping Up With the Joneses, is decidedly not one of them.‐ Hollywood Reporter
Read More | Posted Oct 18, 2016
94% The Edge of Seventeen (2016) Fast, full-hearted and graced with a beautifully modulated lead turn by Hailee Steinfeld, the movie takes the risk of playing it straight and sincere - and the risk pays off.‐ Hollywood Reporter
Read More | Posted Sep 17, 2016
91% Blue Jay (2016) Small but stirring, thanks mostly to Sarah Paulson.‐ Hollywood Reporter
Read More | Posted Sep 15, 2016