Joi Childs Movie Reviews & Previews - Rotten Tomatoes

Movie Reviews Only

Rating T-Meter Title | Year Review
8.5/10 97% Promising Young Woman (2020) A stellar performance from Mulligan paired with an ambitious vision from Fennell comes together to create a story that's a bold takedown of rape culture and those that defend it.‐ Teen Vogue
Read More | Posted Jan 31, 2020
8.7/10 86% Charm City Kings (2020) Charm City Kings is raw in its delivery, but with the raw comes reality. Arresting cinematography and grounded acting performances makes this worth the watch.‐ MTR Network
Read More | Posted Jan 31, 2020
6.5/10 54% Bad Hair (2020) To leverage Black women's hair for your story and to not give it the length it deserves cuts the potential of BAD HAIR at the root.‐ MTR Network
Read More | Posted Jan 31, 2020
8/10 88% Zola (2020) There might be moments when the story gets lost in the sauce. But from it's the commitment of the cast, to the vision of Bravo, the film - and Zola as a figure - never get lost in the game.‐ MTR Network
Read More | Posted Jan 26, 2020
7.5/10 89% The Two Popes (2019) The Two Popes have standout performances from their title characters. But without transparency regarding the church, we don't get beneath the robes, only on the surface of the cloth.‐ MTR Network
Read More | Posted Jan 26, 2020
8.5/10 92% Uncut Gems (2019) Uncut Gems raises the ante in the right ways, without getting close to folding. ‐ MTR Network
Read More | Posted Jan 26, 2020
9/10 83% Queen & Slim (2019) Melina Matsoukas' film directorial debut stuns with its memorable vignettes. A thrilling ride, Queen & Slim serves a reminder that a Black person's journey is equally as important as how it ends.‐ IGN Movies
Read More | Posted Jan 26, 2020
6/10 73% Harriet (2019) Harriet has the best intentions, but despite a powerful lead performance by Cynthia Erivo, the film feels bereft of originality.‐ IGN Movies
Read More | Posted Oct 30, 2019
8.0/10 97% Dolemite Is My Name (2019) [Eddie] Murphy succeeds by being earnest, even when delivering Dolemite's raunchiest lines. He reminds us he's one of the best at balancing drama and comedy.‐ Paste Magazine
Read More | Posted Oct 9, 2019
7/10 68% Joker (2019) Joker desperately searches for something to make it distinctive - and it doesn't succeed. ‐ MTR Network
Read More | Posted Sep 19, 2019
8.5/10 91% Sound of Metal (2019) Boasting a solid story about profound loss, a knockout performance by [Riz] Ahmed, and award-worthy sound design, Sound of Metal cuts through the clutter.‐ Paste Magazine
Read More | Posted Sep 16, 2019
9.3/10 83% Waves (2019) Frenetic, anxious and visually stunning, the cinematography of Waves invites us to wade into this world, never warning us there's still a chance we could drown.‐ Paste Magazine
Read More | Posted Sep 11, 2019
9/10 87% Hustlers (2019) With a nuanced script, standout performances, and the adrenaline of a well-executed heist, Hustlers is an entertaining ride with something meaningful to say about power and control.‐ IGN Movies
Read More | Posted Sep 10, 2019
8.5/10 95% A Beautiful Day in the Neighborhood (2019) Personable, emotional, and packed with humor, A Beautiful Day In The Neighborhood - and the spirit of Rogers - holds on to your heart and refuses to let go.‐ IGN Movies
Read More | Posted Sep 10, 2019
8.5/10 83% Just Mercy (2020) There were many opportunities for Just Mercy to be bland. But it just missed that boat by staffing up with acting heavy hitters and being choiceful in how they showcase a corrupt system. ‐ IGN Movies
Read More | Posted Sep 9, 2019
9/10 96% The Peanut Butter Falcon (2019) Peanut Butter Falcon 's a feel-good movie in every sense of the word, driven by stellar performances. But most importantly, we get a hero whose community isn't represented enough in films - and the few times they are, it's stereotypical.‐ MTR Network
Read More | Posted Aug 28, 2019
9/10 91% Luce (2019) LUCE is a disturbing turn of events when societal pressures mount up. That's not excusing the malicious actions that Luce caused - but rather, brings layers of complexity to what it is to live up to Black Excellence.‐ MTR Network
Read More | Posted Aug 28, 2019
7.5/10 63% Yesterday (2019) With The Beatles on its heart and solid performances in the forefront, Yesterday hits all the right notes. ‐ MTR Network
Read More | Posted Aug 18, 2019
2.5/5 23% The Kitchen (2019) The Kitchen had enough in the clip to shoot out something greater - but the trigger was never pulled.‐ Stylecaster
Read More | Posted Aug 9, 2019
9/10 98% The Farewell (2019) The Farewell explores the messiness of grief, secrets and family through the lens of east vs. west cultural differences, striking the best balance between comedy and drama.‐ MTR Network
Read More | Posted Jul 21, 2019
3.75/5 91% Spider-Man: Far From Home (2019) Spider-Man: Far From Home delivers the goods with another great performance by Tom Holland and out-of-this-world cinematography from returning director, Jon Watts.‐ Mediaversity Reviews
Read More | Posted Jul 21, 2019
7/10 53% The Lion King (2019) This Jon Favreau-directed adventure aims to bring the much-loved animated world into the new age. And while it succeeds in that objective with transformative animation, it fails to have the emotional weight of the OG.‐ MTR Network
Read More | Posted Jul 11, 2019
9/10 96% Toni Morrison: The Pieces I Am (2019) Toni Morrison: The Pieces I Am is a dense documentary befitting of its star that wonderfully shows how she lived her 88 years to the fullest‐ MTR Network
Read More | Posted Jun 17, 2019
3.5/5 23% Men in Black International (2019) Men in Black: International provides a mostly enjoyable experience but the adventures fail to engage the way the original movies did, and battles seem to reap fewer rewards.‐ Mediaversity Reviews
Read More | Posted Jun 17, 2019
4/5 89% Rocketman (2019) Rocketman's tagline calls itself a "true fantasy", but it's the grounded elements that give it weight. ‐ Mediaversity Reviews
Read More | Posted Jun 17, 2019
7/10 57% Aladdin (2019) The live-action remake of Aladdin isn't "a whole new world" of storytelling, but it still makes for an overall enjoyable watch‐ MTR Network
Read More | Posted May 24, 2019
8.5/10 95% See You Yesterday (2019) See You Yesterday doesn't sacrifice the child-like wonder of adventure for a grounded story. For a film in this genre, the stakes are higher than ever before.‐ MTR Network
Read More | Posted May 19, 2019
6/10 51% The Sun Is Also a Star (2019) The Sun Is Also A Star is a sweet (sometimes bland) film that while has missed story opportunities still has potential as potent as the love story they try to sell. ‐ MTR Network
Read More | Posted May 18, 2019
9/10 89% Jezebel (2019) Jezebel is, at its core, a coming-of-age film that jumps head first into this sensual world - all without being voyeuristic.‐ Slashfilm
Read More | Posted Apr 12, 2019
7.5/10 88% Go Back to China (2020) With a simple, but effective, script from Emily Ting, Go Back To China is a character-driven film that's full of drama but very personable.‐ Slashfilm
Read More | Posted Apr 12, 2019
7.5/10 67% Olympic Dreams (2020) Olympic Dreams 's goal isn't to inundate you with complex themes or ideas. The film's key is simplicity paired with the gorgeous Olympic environment.‐ Slashfilm
Read More | Posted Apr 12, 2019
9/10 97% Booksmart (2019) In a genre that is generally dominated by similar white nerdy male protagonists, Booksmart is an experience that's more queer, more diverse and more female-centered than anything remotely comparable. ‐ Slashfilm
Read More | Posted Apr 12, 2019
9/10 93% Us (2019) The bloody violence, the tears, the screams, the jump scares - all familiar, but still done in a fresh way.‐ Slashfilm
Read More | Posted Mar 10, 2019
91% Big Time Adolescence (2019) There's no escaping Davidson's public identity while watching him play a stoner... Big Time Adolescence proves Davidson also has range.‐ Polygon
Read More | Posted Feb 1, 2019
91% Selah and the Spades (2019) Selah and The Spades centers on a teen scrambling to keep any semblance of power and by any means necessary. In that desperation comes betrayal, violence and mistrust - and it's a joy to watch.‐ Out Magazine
Read More | Posted Jan 31, 2019
80% Late Night (2019) There are few writer-performers out there like Kaling, who can turn a difficult subject into a hilarious, relatable scene for other people of color who've been tokenized.‐ Polygon
Read More | Posted Jan 31, 2019
7/10 95% Premature (2020) Premature, if nothing else, successfully treads similar waters as Love Jones and Mo Better Blues before it while keeping the story relevant to its own time.‐ Nerds of Prey
Read More | Posted Jan 31, 2019
94% Rafiki (2019) Kahiu's film reinforces that being who you are and loving in spite of the opinions of others is still a revolutionary act. ‐ Shadow and Act
Read More | Posted Nov 17, 2018
41% Where Hands Touch (2018) Where Hands Touch is a waste of solid acting by Amandla Stenberg, and time for its viewers. Asante's attempt to make Nazi characters appear sympathetic is a perfect example of not reading the room, especially in this contentious time in our country.‐ Shadow and Act
Read More | Posted Sep 20, 2018
91% Widows (2018) Widows truly gives Viola Davis the leading film venue worthy of her talents and gives female characters the space to play a dirty game. The story is very ambitious with its twists and turns, but McQueen rises to the occasion and executes with flare. ‐ Shadow and Act
Read More | Posted Sep 20, 2018
8/10 86% Monsters and Men (2018) While some perspectives were more valuable than others, seeing the viewpoints of tragedy from people who are typically undervalued is a gift. And we shouldn't ignore it.‐ Nerds of Prey
Read More | Posted Sep 17, 2018
95% If Beale Street Could Talk (2019) Having the ability to tell this love story and take the time needed is such a gift, If Beale Street Could Talk makes it known that this is a Black film about Black love set in Black America. ‐ Shadow and Act
Read More | Posted Sep 14, 2018
7/10 96% BlacKkKlansman (2018) This absurd story works well under the Spike Lee Joint umbrella. As a director, Lee is known to subvert reality in his films and provide fantastical elements to otherwise realistic moments.‐ Slashfilm
Read More | Posted Aug 7, 2018
7/10 72% Ready Player One (2018) It does not exist to stretch your mind (it does stretch your time, running a bit too long in the third act) but like the OASIS, it's a wonderful piece of escapism. Sometimes, a vacation from anything meaningful does make for an interesting ride.‐ Slashfilm
Read More | Posted Mar 12, 2018
4/5 97% The Light of the Moon (2017) The Light of the Moon is lived-in, in every sense of the word. It's able to provide a point of view of how life continues after something as serious as sexual assault with sensitive but impactful micro-moments.‐ Black Girl Nerds
Read More | Posted Mar 5, 2018
2.5/5 32% The Catcher Was A Spy (2018) In the end, The Catcher Was A Spy was much more catcher and not enough spy. What we end up with is a film that's the opposite of how fascinating its lead subject is.‐ Black Girl Nerds
Read More | Posted Feb 5, 2018
3.5/5 88% White Rabbit (2018) White Rabbit is a whirlwind of expression and feelings. With quirkiness at its center, the story itself can feel aimless and without a purpose. But truly, it reflects its lead's journey towards meaning.‐ Black Girl Nerds
Read More | Posted Feb 5, 2018
5/5 93% Sorry to Bother You (2018) Sorry To Bother You proudly marries reality and fantasy and lets its weird flag fly. And it's a better film because of it.‐ Black Girl Nerds
Read More | Posted Jan 26, 2018
2.5/5 60% Tyrel (2018) Tyrel attempts to tell this story of a Black friend's weekend with white drunken cohorts. Unfortunately, the Sebastián Silva-directed film feels aimless and doesn't really go anywhere with its story.‐ Black Girl Nerds
Read More | Posted Jan 22, 2018
4/5 97% Science Fair (2018) Science Fair is a joyous documentary that follows some of the best and brightest teens as they navigate life on their journey to compete at an international science fair.‐ Black Girl Nerds
Read More | Posted Jan 21, 2018