Javier Ocaña Movie Reviews & Previews - Rotten Tomatoes

Javier Ocaña

Javier Ocaña
Javier Ocaña's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): El Pais (Spain)

Movie Reviews Only

Rating T-Meter Title | Year Review
76% Bad Boys for Life (2020) Bilall Fallah y Adil El Arbi demonstrate a competence in capturing the Bruckheimer singularity, but are unable to add a singularity of their own. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jan 19, 2020
74% Richard Jewell (2019) A stupendous film. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jan 3, 2020
No Score Yet El silencio del pantano (2020) A vibrant thriller. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jan 3, 2020
No Score Yet The Wonderland (2019) A curious and excessively long movie that will please anime fans and dazzle those in search of evocative worlds. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 27, 2019
76% Spies in Disguise (2019) Spies in Disguise unfolds like a precious compliment of peculiar and eccentric children. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 27, 2019
81% The Truth (La vérité) (2020) The Truth is a beautiful, entertaining, and lacerating movie about deception. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 27, 2019
52% Star Wars: The Rise of Skywalker (2019) These serials are allergic to risk because, in short, the intention is for the audience to sit in known territory. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 23, 2019
71% Jumanji: The Next Level (2019) Despite having less adventure than its predecessor, Jumanji: The Next Level has more humor with a glorious contribution from Danny DeVito. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 16, 2019
63% The Good Liar (2019) Despite its noble efforts, The Good Liar crashes into a clumsy attempt. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 10, 2019
43% Midway (2019) Midway offers what Emmerich always promises, but with a bit more moderation. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 10, 2019
92% Invisible Life (A vida invisível de Eurídice Gusmão) (2019) The film has a more natural character that feels almost like a documentary. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 26, 2019
50% Adiós (2019) Adiós is a film that is as bitter at is it luminous. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 25, 2019
77% Frozen II (2019) Frozen II is infinitely less transcendent and it is also solemn, leaden and of a feathery magic. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 25, 2019
No Score Yet Out in the Open (Intemperie) (2019) Despite a more formulaic approach toward its end, Out in the Open is raw and rough. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 25, 2019
86% Pride and Prejudice (2005) Joe Wright successfully avoids the stuffy feel of those British period pieces. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 20, 2019
81% The Platform (El Hoyo) (2019) The film begins very well, its development, however, is somewhat uneven and ends much worse than it begins. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 8, 2019
98% The Farewell (2019) The Farewell ends up being an interesting reflection about lies. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Nov 8, 2019
No Score Yet Little White Lies 2 (Nous finirons ensemble) (2019) The film never finds a suitable tone nor develops itself coherently. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Nov 8, 2019
88% The Good Girls (Las niñas bien) (2018) It is a work that wins as the story progresses..., increasingly symbolic and insolent. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Nov 8, 2019
70% Terminator: Dark Fate (2019) Despite not measuring up to the first two films in the franchise, 'Dark Fate' gets by with some contemporary updates and an assist from Mackenzie Davis. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 3, 2019
77% Doctor Sleep (2019) There are only 20 minutes in the whole film where Flanagan gets even remotely close to the subtexts of the book and the original film. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 3, 2019
84% Sorry We Missed You (2020) Loach's visceral projection in this film and his perpetual intention (and rightly so!) to want to change the world, appear here with exciting tenderness. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 3, 2019
No Score Yet No Filter (Chamboultout) (2019) None of the narratives are well developed. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 3, 2019
No Score Yet Staff Only (2019) Ballús films this story with a naturalistic eye that almost feels like a documentary where the actors are glued to their characters as one. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 29, 2019
No Score Yet El silencio de la ciudad blanca (2019) The films notable images are disappointing solely because they are accompanied by a pompously empty story. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 29, 2019
89% Hitler's Hollywood (2018) A remarkable work around aesthetics, ethics and even the legitimacy of barbarism through themes and developments during this era of German filmmaking. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 28, 2019
83% Official Secrets (2019) Although the story although comprehensible, has more in common with a report that would barely make Tony Blair shake in terror. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 28, 2019
62% Paradise Hills (2019) Paradise Hills's main problem lies with its script that does not develop with conviction, leaving only the wonderful anomaly of its retro-futurist packaging. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 20, 2019
92% A Sun That Never Sets (Fire Will Come) (O Que Arde) (2019) Few recent films have a start as dazzling as Oliver Laxe's film. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 20, 2019
88% Ready or Not (2019) It lacks cruelty to be truly dark when it is nothing more than light gray, but its last 20 minutes are truly stupendous. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 20, 2019
26% Gemini Man (2019) Narratively, Gemini Man is a disaster. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 20, 2019
81% Light of My life (2019) A remarkable science fiction drama of dystopian sort, with a realistic and fully contemporary atmosphere. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 20, 2019
68% Zombieland: Double Tap (2019) Everything is worse in this sequel. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 20, 2019
71% The King (2019) It is a work solid enough to banish any hint of lightness and inconsistency. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 20, 2019
97% Portrait of a Lady on Fire (Portrait de la jeune fille en feu) (2020) The film never stops, until reaching its two beautiful consecutive endings, growing in emotion, culminating the sublimation of the spirit. The utopia of a tragic love on the edge of the precipice. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 20, 2019
60% The Goya Murders (El asesino de los caprichos) (2019) The film is entertaining enough, but one can't shake the feeling that it loses its way halfway through. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 20, 2019
100% El crack cero (2019) El crack zero is a film so original and yet so embedded in nostalgia. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 8, 2019
No Score Yet Stranded (Varados) (2019) It's not telling a story that other films haven't already told, but it's noble because it doesn't feel preachy and has a fierce vocation. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 8, 2019
69% Joker (2019) A formidable and twisted film. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 3, 2019
88% Sir (2018) A sentimental process that the director narrates with calm and credibility, delicacy and embarrassment. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 28, 2019
27% Rambo: Last Blood (2019) If the Ted Kotcheff movie had a gloomy vision of the American dream, here it is difficult to calibrate any subtext. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Sep 28, 2019
No Score Yet Bye Bye Mr Etxebeste! (Agur Etxebeste!) (2019) The film rises thanks to a series of situations where despite the mockery and exaggeration everything is immensely recognizable. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 28, 2019
100% So Long, My Son (Di jiu tian chang) (2019) A work both close and complex, noble and resounding. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 28, 2019
100% One Cut of the Dead (Kamera o tomeru na!) (2019) One Cut Of The Dead, with its originality, emanates love of film, and with its modesty, lives up to its director's motto. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 22, 2019
84% Downton Abbey (2019) A pomp with less circumstance. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 22, 2019
56% Incident In a Ghost Land (Ghostland) (2018) With some aesthetic finding of merit, Laugier again exposes his tortures with a determination that is hardly bearable. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 22, 2019
89% Blinded by the Light (2019) Chadha misses the worrying rise in those years of the Nazi National Front, and the musical moments often seem a bit pedestrian. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 22, 2019
27% A Million Little Pieces (2019) Sam Taylor-Johnson's powerful photographic style, often dreamlike, is condensed in her new film with sequences of great strength, and the last and metaphorical plane is a good sample. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 16, 2019
54% Five Feet Apart (2019) Despite its best efforts including those from Haley Lu Richardson with a brilliant performance, the film inevitably begins to sink. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 16, 2019
71% Litus (2019) Despite the fact that it feels like something already seen and heard, but the level of its production and filmography are notable. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 16, 2019