Javier Ocaña Movie Reviews & Previews - Rotten Tomatoes

Javier Ocaña

Javier Ocaña
Javier Ocaña's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): El Pais (Spain)

Movie Reviews Only

Rating T-Meter Title | Year Review
90% The Willoughbys (2020) A story of consistent construction, clear plot and narrative fluidity. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 30, 2020
37% Anon (2018) The weariness before the characters and the lack of concretion beat the notes of wit. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 30, 2020
94% Wildlife (2018) Wildlife connects the current reflection with some of the masterpieces of melodrama of the fifties. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 30, 2020
100% The Trial (2018) Extraordinary and invaluable exercise. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 30, 2020
75% Victory Day (2018) Very interesting documentary film exercise. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 30, 2020
68% Extraction (2020) A great action film for fans of the genre. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 24, 2020
72% Vivarium (2020) Vivarium has truly affecting moments of terror. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 13, 2020
69% Escape from Pretoria (2020) The fact that the protagonists are white activists in a society dominated by segregation of the black race and it wasn't a dialogue that was given any substance is a failure. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 13, 2020
99% Blow the Man Down (2020) A panorama in which, together with the power of its claims, the form stands out above the story itself. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 12, 2020
67% Lady and the Tramp (2019) Despite their best efforts, Disney cannot make what was already spectacular better. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 12, 2020
50% Emma Peeters (2018) The undefined tone of the film hurts its efforts and makes the protagonist come off more capricious than what is probably intended. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 12, 2020
67% The Parts You Lose (2019) Although it is missing a little more, The Parts You Lose is honest and simple. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 12, 2020
60% The Occupant (Hogar) (2020) With an excellent cast led by Javier Gutiérrez, the Pastor Brothers have returned to feature films with serious conviction. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Mar 30, 2020
92% The Swallows of Kabul (Les hirondelles de Kaboul) (2019) A beautiful and simple film where the massacre of women is shown both physically and, above all, morally. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Mar 14, 2020
No Score Yet El Plan (2019) Surprising dialogues, in many moments far from realism, but interpreted with enormous naturalism. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Mar 14, 2020
52% 21 Bridges (2019) A somewhat harmless and relatively entertaining heist and law enforcement thriller, directed by Brian Kirk. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Mar 14, 2020
33% Domino (2019) Petter Skavlan's script, or what's left of it, is thick, basic, of an unbelievable banality. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Mar 14, 2020
No Score Yet Double Plus Fifteen (El doble más quince) (2019) It recovers in the final climax, precious in its light, frames and delicacy. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Mar 14, 2020
83% Just Mercy (2020) The line of the film is honest, but lacks interest. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Mar 14, 2020
92% The Invisible Man (2020) This new approach to the myth created by Wells is interesting, elegant and, best of all, activist. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Mar 14, 2020
28% The Rhythm Section (2020) Everything that happens in the script is more ridiculous than the previous one. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Mar 14, 2020
99% The Chambermaid (La camarista) (2019) There is something fascinating in the struggle of this woman faced with the impersonality of the human condition. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Mar 14, 2020
86% Jordi's Letters (Las letras de jordi) (2019) It ends up being a valuable document on the need to connect. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Mar 13, 2020
97% First Love (Hatsukoi) (2019) An unclassified fusion between the romantic youth thriller, the black comedy, the yakuza cinema, the martial arts cinema and the gore, which finds in the (punctual) gush of creative insolence its best ally. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Mar 13, 2020
38% Spenser Confidential (2020) The movie can be entertaining for those looking for nothing more than a quick leisure time. [Full Review in Spanish ‐ El Pais (Spain)
Read More | Posted Mar 13, 2020
82% Avatar (2009) Avatar contains a metaphor against the invasion of foreign territories and civilizations, explained in two bad jokes about preventive war. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Feb 21, 2020
64% Sonic the Hedgehog (2020) Easy laughs for kids no older than ten. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Feb 21, 2020
92% Uncut Gems (2019) The glorious outcome, dry and sharp, filmed without underlining, leaves you stunned. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jan 31, 2020
79% Jojo Rabbit (2019) Jojo Rabbit will be remembered for its insolent jokes and for its dazzling musical montages, rather than for its humanistic breath, more sad than emotional. [Full review in spanish] ‐ El Pais (Spain)
Read More | Posted Jan 29, 2020
57% Malasaña 32 (2020) An appreciable climax, supported by two actions in parallel (one with spectacular verve, another calm and frightening.) [Full review in spanish] ‐ El Pais (Spain)
Read More | Posted Jan 29, 2020
14% Dolittle (2020) It's not easy to explain how a screenwriter of this level of experience has composed such a cumbersome story. [Full review in spanish] ‐ El Pais (Spain)
Read More | Posted Jan 29, 2020
69% Children of the Sea (Kaijû no kodomo) (2020) With a somewhat confusing narration and a redundant central plot, the film burst in its final 20 minutes. [Full review in spanish] ‐ El Pais (Spain)
Read More | Posted Jan 29, 2020
60% I Love You, Stupid (Te quiero, Imbécil) (2020) A fresh comedy despite its very defined structure. [Full review in spanish] ‐ El Pais (Spain)
Read More | Posted Jan 29, 2020
92% The Wild Goose Lake (Nan fang che zhan de ju hui) (2020) A work in which the social portrait of the country is fierce, dazzling, miserable and romantic. [Full review in spanish]‐ El Pais (Spain)
Read More | Posted Jan 29, 2020
77% Bad Boys for Life (2020) Bilall Fallah y Adil El Arbi demonstrate a competence in capturing the Bruckheimer singularity, but are unable to add a singularity of their own. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jan 19, 2020
76% Richard Jewell (2019) A stupendous film. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jan 3, 2020
50% El silencio del pantano (2020) A vibrant thriller. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jan 3, 2020
100% The Wonderland (2020) A curious and excessively long movie that will please anime fans and dazzle those in search of evocative worlds. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 27, 2019
75% Spies in Disguise (2019) Spies in Disguise unfolds like a precious compliment of peculiar and eccentric children. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 27, 2019
86% The Truth (La vérité) (2020) The Truth is a beautiful, entertaining, and lacerating movie about deception. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 27, 2019
52% Star Wars: The Rise of Skywalker (2019) These serials are allergic to risk because, in short, the intention is for the audience to sit in known territory. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 23, 2019
71% Jumanji: The Next Level (2019) Despite having less adventure than its predecessor, Jumanji: The Next Level has more humor with a glorious contribution from Danny DeVito. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 16, 2019
63% The Good Liar (2019) Despite its noble efforts, The Good Liar crashes into a clumsy attempt. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 10, 2019
42% Midway (2019) Midway offers what Emmerich always promises, but with a bit more moderation. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 10, 2019
93% Invisible Life (A vida invisível de Eurídice Gusmão) (2019) The film has a more natural character that feels almost like a documentary. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 26, 2019
50% Adiós (2019) Adiós is a film that is as bitter at is it luminous. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 25, 2019
77% Frozen II (2019) Frozen II is infinitely less transcendent and it is also solemn, leaden and of a feathery magic. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 25, 2019
No Score Yet Out in the Open (Intemperie) (2019) Despite a more formulaic approach toward its end, Out in the Open is raw and rough. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 25, 2019
86% Pride and Prejudice (2005) Joe Wright successfully avoids the stuffy feel of those British period pieces. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 20, 2019
82% The Platform (El Hoyo) (2019) The film begins very well, its development, however, is somewhat uneven and ends much worse than it begins. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 8, 2019