Jaime Fa de Lucas Movie Reviews & Previews - Rotten Tomatoes

Jaime Fa de Lucas

Jaime Fa de Lucas
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Movie Reviews Only

Rating T-Meter Title | Year Review
62% The Occupant (Hogar) (2020) The lack of narrative control is evident from the beginning. [Full review in Spanish]‐ Culturamas
Read More | Posted Mar 31, 2020
83% The Platform (El Hoyo) (2020) That ending doesn't make sense and that's what knocks down all of The Platform's virtues. [Full review in Spanish]‐ Culturamas
Read More | Posted Mar 24, 2020
92% Uncut Gems (2019) Possibly one of the most annoying movies I've seen in recent years. [Full review in Spanish]‐ Culturamas
Read More | Posted Feb 11, 2020
90% The Lighthouse (2019) As he demonstrated in The Witch, [Robert] Eggers is a very talented director. [Full review in Spanish]‐ Culturamas
Read More | Posted Jan 13, 2020
96% Atlantics (2019) This idea is moderately interesting, but it has hardly any strength. [Full review in Spanish]‐ Culturamas
Read More | Posted Dec 3, 2019
96% I Lost My Body (2019) Unfortunately, the protagonist's story is full of clichés and the narrative arc is predictable and conventional. [Full review in Spanish]‐ Culturamas
Read More | Posted Dec 2, 2019
80% Greener Grass (2019) [Greener Grass] might have been funny on paper, but it dosn't work on the screen and even ends up being irritating. [Full review in Spanish]‐ Culturamas
Read More | Posted Nov 22, 2019
98% One Child Nation (2019) The film drowns in its own dispersion. [Full review in Spanish]‐ Culturamas
Read More | Posted Nov 21, 2019
98% Extra Ordinary (2020) Stands out for its ingenious humor and originality. [Full review in Spanish]‐ Culturamas
Read More | Posted Nov 18, 2019
99% Parasite (Gisaengchung) (2019) There's no doubt that the idea is interesting and brings about ingenious and really funny scenes. [Full review in Spanish]‐ Culturamas
Read More | Posted Oct 25, 2019
86% Diamantino (2019) I applaud risky exercises like this. [Full review in Spanish]‐ Culturamas
Read More | Posted Sep 5, 2019
95% Gaza (2019) A mosaic of stories that offer a personal and intimate vision of the place. [Full review in Spanish]‐ Culturamas
Read More | Posted Aug 12, 2019
No Score Yet Blind Spot (L'angel mort) (2019) Has interesting ideas... but its development is excessively confusing. [Full review in Spanish]‐ Culturamas
Read More | Posted Aug 6, 2019
97% Booksmart (2019) A conventional story that attempts to distinguish itself from similar products through a banal accumulation of excesses, provocations, artifice and extravagances. [Full review in Spanish]‐ Culturamas
Read More | Posted Jul 26, 2019
83% Utøya: July 22 (Utøya 22. Juli) (2018) You have to take your hat off to Martin Otterbeck's cinematography and Andrea Berntzen's performance. [Full review in Spanish]‐ Culturamas
Read More | Posted Jul 19, 2019
No Score Yet Hamada (2018) Satisfactory on an emotional and empathic level, unsatisfactory in contextual and didactic terms. [Full review in Spanish]‐ Culturamas
Read More | Posted Jul 15, 2019
86% The Miseducation of Cameron Post (2018) The problem is that Desiree Akhavan and the screenwriter Cecilia Frugiuele... do not seem too interested in investigating the complex relationship between sexuality and identity. [Full review in Spanish]‐ Culturamas
Read More | Posted Jul 11, 2019
No Score Yet Selfie (Smiley) (2019) One has to recognize that Selfie is fine as it is although. [Full review in Spanish]‐ Culturamas
Read More | Posted Jul 8, 2019
81% Mid90s (2018) Has enough interesting ingredients so that its wheels don't stop spinning. [Full review in Spanish]‐ Culturamas
Read More | Posted Jun 24, 2019
93% Long Day's Journey Into Night (Di qiu zui hou de ye wan) (2019) The aesthetic is prioritized to the detriment of the narrative. [Full review in Spanish]‐ Culturamas
Read More | Posted Jun 21, 2019
90% Arctic (2019) A good example of the famous [phrase] "less is more"... with a good performance from Mads Mikkelsen. [Full review in Spanish]‐ Culturamas
Read More | Posted May 31, 2019
55% Extremely Wicked, Shockingly Evil and Vile (2019) The most devoted of the genre will accuse Joe Berlinger of achieving something unheard of: creating a film about a serial killer that is not scary. [Full review in Spanish]‐ Culturamas
Read More | Posted May 8, 2019
78% Guava Island (2019) It is quite paradoxical that something that wants to be anti-capitalist has "product placement" everywhere. [Full review in Spanish]‐ Culturamas
Read More | Posted Apr 22, 2019
87% Tumbbad (2018) The development is so basic at a conceptual level that one quickly loses interest. [Full review in Spanish]‐ Culturamas
Read More | Posted Mar 14, 2019
74% Pity (2018) There is no doubt that [Pity] is an interesting proposal, but it's not for everyone. [Full review in Spanish]‐ Culturamas
Read More | Posted Mar 1, 2019
43% Paris Is Us (2019) It seems that [director Elisabeth] Vogler has confused visual language with cinematographic language. [Full review in Spanish]‐ Culturamas
Read More | Posted Feb 25, 2019
90% Paddleton (2019) A tremendously authentic film. [Full review in Spanish]‐ Culturamas
Read More | Posted Feb 25, 2019
90% Capernaum (Capharnaüm) (2018) Capernaum seems to punish the parents' behavior more than the miserable situation in which they are immersed. The latter is a defect to be taken into account, but it does not tarnish what the film achieves emotionally. [Full review in Spanish]‐ Culturamas
Read More | Posted Feb 19, 2019
93% High Flying Bird (2019) Netflix and Steven Soderbergh shoot a triple. [Full review in Spanish]‐ Culturamas
Read More | Posted Feb 8, 2019
62% Velvet Buzzsaw (2019) Make no mistake, Velvet Buzzsaw is an absolute disaster. [Full review in Spanish]‐ Culturamas
Read More | Posted Feb 4, 2019
80% Fyre Fraud (2019) In general, it's a scattered documentary whose title simply seeks to parasitize Netflix. [Full review in Spanish]‐ Culturamas
Read More | Posted Jan 22, 2019
92% Fyre (2019) Its greatest merit is that it not only reports on the disaster, but also talks about the power of appearances and social networks and how they can build an image that in many cases has little to do with reality. [Full review in Spanish]‐ Culturamas
Read More | Posted Jan 22, 2019
93% The Favourite (2018) There are certain suggestive symbolisms, but the duration is not directly proportional to the level of depth that it reaches. [Full review in Spanish]‐ Culturamas
Read More | Posted Jan 18, 2019
No Score Yet 24 Weeks (2016) The final message and the method of transmitting it confirms that the objective of this proposal is to defend an idea; What is left over is the movie's disguise. [Full review in Spanish]‐ Culturamas
Read More | Posted Jan 15, 2019
80% Volcano (2018) The metaphors it uses to develop its theme are Volcano's highlights, supported by Vadim Ilkov's wonderful photography. [Full review in Spanish]‐ Culturamas
Read More | Posted Jan 9, 2019
58% Under the Silver Lake (2019) A tasteless Pynchon smoothie for the "postmodern" audience. [Full review in Spanish]‐ Culturamas
Read More | Posted Jan 3, 2019
96% The Green Fog (2018) There's no doubt that fans of Maddin's work will appreciate it more, but the spectators with a taste for experimentation will be able to approach and enjoy it. [Full review in Spanish]‐ Culturamas
Read More | Posted Dec 19, 2018
No Score Yet History of Love (Zgodovina ljubezni) (2018) I have no doubt that it is one of the best films that has been made about loss and mourning. [Full review in Spanish]‐ Culturamas
Read More | Posted Dec 4, 2018
97% The Guilty (Den skyldige) (2018) Unfortunately, The Guilty has several aspects that turn its back on plausibility. [Full review in Spanish]‐ Culturamas
Read More | Posted Nov 28, 2018
93% CAM (2018) Although the idea raised by [director] Daniel Goldhaber may be interesting, the development is disastrous. [Full review in Spanish]‐ Culturamas
Read More | Posted Nov 16, 2018
83% Dogman (2019) Dogman's main problem is that it requires a leap of faith on the part of the viewer. [Full review in Spanish]‐ Culturamas
Read More | Posted Nov 12, 2018
96% BlacKkKlansman (2018) More than a film it resembles an audiovisual assertion and... does not bring anything new to the subject, beyond emphasizing the prejudices and narrow-mindedness of certain individuals, something that everyone already knows. [Full review in Spanish]‐ Culturamas
Read More | Posted Oct 31, 2018
90% Mandy (2018) The audiovisual section is interesting and Nicolas Cage is acceptable, but this is not enough to compensate for the amount of excesses, whims and inconsistencies that the story presents. [Full review in Spanish]‐ Culturamas
Read More | Posted Oct 30, 2018
95% Burning (Beoning) (2018) [Director Lee] Chang-dong ... very intelligently expands the transcendence and depth of the story. [Full review in Spanish]‐ Culturamas
Read More | Posted Oct 19, 2018
100% One Cut of the Dead (Kamera o tomeru na!) (2019) A great little discovery. [Full review in Spanish]‐ Culturamas
Read More | Posted Oct 17, 2018
81% 22 July (2018) We are still waiting for Netflix to succeed with its fiction proposals. [Full review in Spanish]‐ Culturamas
Read More | Posted Oct 11, 2018
92% Window Horses (2017) The problem is that it usually succumbs to the ungovernable forces of cloying melodrama and didacticism. [Full review in Spanish]‐ Culturamas
Read More | Posted Oct 5, 2018
No Score Yet The Goose (2018) [The Goose] ends up being... oblique in every way. [Full review in Spanish]‐ Culturamas
Read More | Posted Oct 1, 2018
88% Scary Mother (2017) Although it's [director] Ana Urushadze's debut film, it seems more like the work of a veteran director who controls the medium perfectly. [Full review in Spanish]‐ Culturamas
Read More | Posted Sep 13, 2018
98% Too Late to Die Young (Tarde para morir joven) (2019) Too Late to Die Young is sustained to a large extent thanks to the photography of Inti Briones, the spontaneity of the dialogues and the naturalness of the performances. [Full review in Spanish]‐ Culturamas
Read More | Posted Sep 10, 2018