Elsa Fernández-Santos Movie Reviews & Previews - Rotten Tomatoes

Elsa Fernández-Santos

Elsa Fernández-Santos
Elsa Fernández-Santos's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): El Pais (Spain)

Movie Reviews Only

Rating T-Meter Title | Year Review
86% The Wolves (Los Lobos) (2019) Los Lobos covers a lurid and humiliating reality that Samuel Kishi resists to dehumanize. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 31, 2020
43% The Professor and the Madman (2019) A poorly constructed epic. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 11, 2020
96% 1985 (2018) Everything is treated with the delicacy that is required to share this painful story. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 10, 2020
78% Hearts and Bones (2019) A frivolous and superficial tale. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 10, 2020
No Score Yet Rocambola (2020) Everything winds up feeling as forced as the title of the film. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 10, 2020
93% Bad Education (2019) Hugh Jackman delivers one of the best and most interesting performances of his career. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 10, 2020
43% Sergio (2020) A fairly conventional narrative structure of flashbacks in which the diplomat reconstructs his later years. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 30, 2020
88% Selah and the Spades (2020) The film seems more interested in the brilliance of its image and in the vanity game of its characters than in constructing a complex story. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 30, 2020
79% Murder to Mercy: The Cyntoia Brown Story (2020) Daniel H. Birman's documentary exposes the case with extensive background material that adds perspective (and quality) to the usual elements of true crime. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 30, 2020
56% All Day and a Night (2020) It does not go beyond a wasted cartoon about parental-filial relationships. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 30, 2020
100% A Secret Love (2020) Beyond the interesting social context, the value of Bolan's film is in the particularities of the story it tells. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 30, 2020
No Score Yet Double Me (Doble Yo) (2018) It results suggestive for this fabulous material, even if it ends up wasted on poorly resolved existential and identity issues. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 30, 2020
No Score Yet Pullman (2019) Dialogues that sound very forced, an evident lack of lubrication with the two main children, poorly constructed secondary characters. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 30, 2020
90% Studio 54 (2018) The documentary revives the energy of the mythic New York nightclub. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 13, 2020
95% End of the Century (2019) A painful reflection on maturity condemned to the cruel company of memories. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 12, 2020
81% Knife + Heart (Un couteau dans le coeur) (2019) A difficult balance that miraculously manages not to derail despite its playful excess. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 12, 2020
34% Seberg (2020) The actress's story is one of the saddest in cinema and unfortunately this is not the first time that someone has taken her over as if she were a mere fetish. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 12, 2020
No Score Yet El hombre que diseñó España (2020) This documentary is a perfect demonstration of how with very little, you can go very far. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 12, 2020
100% Crip Camp: A Disability Revolution (2020) An amazing documentary feat. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 12, 2020
No Score Yet <3 (2018) The film offers a curious map of something as complex as the emotional roller coaster that characterizes the age of polyamory. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Mar 14, 2020
82% Queen & Slim (2019) The visual and musical smell of Matsoukas turns Queen & Slim into a film with an admirable aesthetic. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Mar 14, 2020
71% Our Mothers (Nuestras Madres) (2019) A puzzle made with pieces of memory and silence that this (at times interesting) film tries to compose. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Mar 14, 2020
62% The Call of the Wild (2020) Special effects capable of turning this northern adventure into an amusement park dedicated to Jack London. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Mar 14, 2020
75% The Gentlemen (2020) The presence of Grant, Charlie Hunnam, and of the always great Mathew McConaughey make it easier to digest so many different dishes. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Mar 14, 2020
76% Skin (2019) All its good intentions fail to go further and the film does not go beyond correction (neither visual nor plot), only remaining halfway in what it states. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Mar 14, 2020
No Score Yet Invisibles (2020) The film is sustained by the script and the talent of three actresses capable of filling the most anecdotal and banal conversation with nuances. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Mar 14, 2020
73% Harriet (2019) The actress and director Kasi Lemmons turns this brutal story into a series of implausible adventures, crudely developed, and with characters that are too flat. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Mar 13, 2020
39% The Song of Names (2019) The Song of Names adds to a musical vocation, but unfortunately it is out of tune.[Full Review in Spanish‐ El Pais (Spain)
Read More | Posted Mar 13, 2020
96% About Endlessness (Om det Oändliga) (2020) Light and dense in equal parts, his (Roy Andersson) stories are paintings that mix humor and helplessness. [Full review in spanish] ‐ El Pais (Spain)
Read More | Posted Jan 29, 2020
91% Ema (2019) The leading actress, Mariana Di Girolamo, achieves an impossible balance between restraint and despair. [Full review in spanish] ‐ El Pais (Spain)
Read More | Posted Jan 29, 2020
21% The Grudge (2020) The film survives primarily on the strength of its cast, but is still a flimsy attempt to resuscitate a franchise. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jan 3, 2020
67% Fortuna (2018) The beautiful formatting doesn't camouflage the terrible story. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jan 3, 2020
20% Cats (2019) [Cats] is one of those absurd and crazy movies that everyone wants to see because it guarantees a good time. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 27, 2019
95% Little Women (2019) The movie is at times charming and happy, but it's excessively self-indulgent. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 27, 2019
100% Spider (Araña) (2019) Woods is interested in his characters as a way to diagnose the moral rot of a present marked by the same song that travels the world: "Chile will be Chile again." [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 26, 2019
No Score Yet The Fourth Kingdom (2019) The film approximates a feeling closer to what Pixar achieved with WALL-E and all the better for it. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 25, 2019
94% Marriage Story (2019) One of the most precise and painful works in modern cinema that capture something as difficult as love's fracture. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 25, 2019