Ángel Luis Inurria Movie Reviews & Previews - Rotten Tomatoes

Ángel Luis Inurria

Ángel Luis Inurria
Ángel Luis Inurria's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): El Pais (Spain)

Movie Reviews Only

Rating T-Meter Title | Year Review
87% Two English Girls (Les deux Anglaises et le continent) (1972) This is one of the films that most embodies Truffaut's obsessions, and it is a true exercise in style. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 24, 2020
8% Deadly Friend (1986) The closed ending is unconvincing and distorts the promising tone of the beginning. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 24, 2020
No Score Yet Il camorrista (The Professor) (1986) It manages to entertain even though it feels like we've seen this before. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 24, 2020
No Score Yet A Flame In My Heart (Une flamme dans mon coeur) (1989) The honest script universalizes in a woman physical love as a vital necessity. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 22, 2020
55% A Prayer for the Dying (1987) Mickey Rourke's performance is key in buying the story, whose gestures and look are prolonged in his peculiar Irish intonation and accent. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 22, 2020
No Score Yet The Retaliator (1987) Despite its 90 minute run-time and the existence of multiple bursts of gunshots, the interest doesn't increase as the movie advances toward its predictable ending. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 22, 2020
81% Day of the Dead (1985) Less successful than its predecessors... Day of the Dead can work as an example of voyeuristic masochism. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 17, 2020
No Score Yet The Art of Love (1989) The love story of Claudia and Cornelio is as gratuitous as it is absurd. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 17, 2020
90% The Last Emperor (1987) Brilliant and intimate. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 17, 2020
17% Masters of the Universe (1987) The movie, whose only contribution to the genre is its recreation of famous characters, goes by unnoticed in front of our eyes without even provoking outright rejection. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 16, 2020
37% Ishtar (1987) It seems too many people participated to save the unsalvageable. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 16, 2020
90% Radio Days (1987) A light, complacent, and evocative comedy whose vision leaves us with a sweet aftertaste. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 16, 2020
0% Jaws: The Revenge (1987) Jaws: The Revenge epitomizes the obstinate insistence of American cinema to continue exploiting its past commercial hits. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 16, 2020
82% Innerspace (1987) It's entertaining and pleasing. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 15, 2020
43% Harry and the Hendersons (1987) The movie feels heavy and repetitive. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 15, 2020
65% The Boy Who Could Fly (1986) Its vision is light and full of personality. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 5, 2020
No Score Yet Miracles (1986) The actors are incapable of saving this nonsensical movie from drowning. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 3, 2020
97% The Princess Bride (1987) Its well-developed characters and situations take us back to the literary myths of the genre as well as the language of classic cinema. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 3, 2020
60% Nice Girls Don't Explode (1987) It's more interested in offering a sociological critique and an intellectual humor than immediate laughs. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 3, 2020
88% The Whistle Blower (1987) Michael Caine becomes the absolute protagonist of this story. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 22, 2020
55% The Gate (1987) The worst aspect is the scarcity of ideas. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 22, 2020
88% Stakeout (1987) The clever script has a mix of ingredients that include romance, male friendships, professional relationships, and chases. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 22, 2020
96% Jean De Florette (1986) Despite its aspects of humanity, the characters seem cold and distant, making one yearn for those that populated Renoir's rural universe. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 22, 2020
90% Roxanne (1987) It manages to entertain. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 22, 2020
No Score Yet Duet for One (1986) It establishes with greater clarity the sensibility and exquisite meticulousness of the filmmaker. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 21, 2020
100% The Shooting Party (1985) It features a solid script and performances... all of it framed in the notable technical tradition of British cinema. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 21, 2020
83% A Month in the Country (1987) A pleasant an enjoyable film, A Month in the Country gives the formal achievements of British cinema a certain spirituality, sensuality, and feeling. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 21, 2020
75% Baby Boom (1987) In addition to Diane Keaton's absolute presence, the film relies on the dialogue and cinematography to achieve its credibility. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 21, 2020
78% Manon of the Spring (Manon des Sources) (1987) It makes a great mistake in its epilogue, accumulating and revealing surprises, giving it the feeling of a cheap melodrama. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 21, 2020
67% Personal Services (1987) In between emotion and laughter, and a dose of social criticism, Personal Services wanders aimlessly. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 21, 2020
50% The Kindred (1987) It's a minor movie with no large ambitions. It belongs to the category of movies that can entertain or not depending on an individual's inclinations. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 21, 2020
76% The Lost Boys (1987) It's not a fully realized product, but it brings new ideas, which, despite its limitations, is commendable. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 20, 2020
91% No Way Out (1987) The work of the cinematographer John Alcott, the actors, and the rhythm are qualities to appreciate in No Way Out. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 10, 2020
100% De Vierde Man (The Fourth Man) (The 4th Man) (1983) Suggestive, provocative, and in a certain way disturbing. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 9, 2020
No Score Yet El Dorado (1988) Teo Escamilla's photography is always splendid and excellent. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 9, 2020
65% The Serpent and the Rainbow (1987) Between colorful folklore, romance, and political critique, the terrifying intrigue is at times interesting and at others surprising. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 9, 2020
72% Adventures in Babysitting (1987) It doesn't add anything to the genre and produces certain boredom. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 7, 2020
8% House II: The Second Story (1987) Between pastiche and parody, unable to find the right tone or rhythm... the result is a tremendously boring and bland film. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 7, 2020
77% Tin Men (1987) Despite having a lot of rich potential in its premise, it is closer to mediocrity. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 7, 2020
42% Overboard (1987) Overboard gives the impression of an all too familiar movie. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 7, 2020
91% Planes, Trains and Automobiles (1987) The movie falls into the trap of wimpy and bland sentimentality. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 7, 2020
No Score Yet Edge of the Axe (1988) A horror movie that is neither scary nor unsettling... it is as dumb as it is unsuccessful. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 3, 2020
85% The Belly of an Architect (1987) Presumptuous, cold, and distant. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 3, 2020
40% Bloodsport (1988) Bloodsport has zero cinematic merits and is an apology for violence. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 3, 2020
No Score Yet A Breed Apart (1984) This environmental and love adventure is directed with an uneven rhythm by Philippe Mora. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 1, 2020
69% Dirty Dancing (1987) Dirty Dancing is dull and charmless. The initial curiosity turns into disappointment and the only memorable aspect is the effort of the protagonist Jennifer Grey. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 1, 2020
0% Police Academy 5: Assignment Miami Beach (1988) The makers of this latest installment fail once again. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Mar 31, 2020
22% Surrender (1987) A minor comedy with pleasant moments and seemingly original scenes. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Mar 31, 2020
55% Benji the Hunted (1987) Joe Camp knows how to take advantage of the camera. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Mar 31, 2020
No Score Yet Le Passage (The Passage) (1986) The childish sincerity of the filmmaker weighs heavily on the film. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Mar 31, 2020